Black Lives Matter, #Metoo new feminist wave in film
LOS ANGELES – The documentary genre’s power of immediacy is evident in “Not Done: Women Remaking America,” which includes the still-unfolding possibility of the first Black female vice president and the loss of Breonna Taylor.
The film depicts a powerful femaledriven advocacy, one represented by Black Lives Matter, #Metoo and other 21st-century movements that have built on and transcended past efforts.
“There is a newfound language around who gets to claim feminism,” Black Lives Matter co-founder Patrisse Cullors says in the film airing on PBS.
Or as Gloria Steinem puts it: “Now it’s a majority and it’s unapologetic. Now we know it’s a revolution.”
While the enduring feminist leader provides context, this era’s activists are center stage. Among the voices: a Native American who’s in her teens but already a veteran activist with a global perspective – and gender confidence.
“If I’m not fighting against the climate crisis, I’m fighting for Indigenous rights,” Tokata Iron Eyes says in the film. “If I’m not fighting for Indigenous rights, I’m still a brown person. And then I’m still a woman, which is also like a superpower at the same time.”
“Part of what was becoming obvious about the period we were living through was that women were back in the streets” after settling into complacency, said Sara Wolitzky, the film’s director. There’s an “awakening that sexism, racism and transphobia are entrenched” and collective action is required.
Women leading the charge is nothing new, although their work often has gone uncredited, Cullors said in an interview.
In America’s civil rights movement, “the most visible have always been men…. I think there was an unfortunate perspective that women were to contribute, but not receive any accolades for the contribution that we’ve given,” she said.
There’s a who’s who of activists in “Not Done,” which moves briskly from historical prologue through the roller coaster ride the country has been on since Democratic presidential contender Hillary Clinton failed to shatter what she called the highest, hardest glass ceiling.
Before thousands of pink hats bobbed down America’s streets, the initially white-organized event was called out by women of color who were giving it “kind of side-eye,” Linda Sarsour recounts in the film. “I’m supposed to go follow, like, a bunch of white ladies who never marched with us before?” was the reaction, she said. When Sarsour pointed out the need for others to be included, including Muslims, she was among those invited to join as leaders.
There’s a retelling of how Black Lives Matter was launched by Cullors, Opal Tometi and Alicia Garza after Florida jurors acquitted the man who killed teenager Trayvon Martin. The three founders insisted on melding feminism and racial justice.
“Patrisse and I and Opal have been very clear from the beginning that it’s all of us or none of us. Black women, black queer and trans folks are disproportionately impacted by the criminal justice system, by policing, by issues of safety, violence, and harm,” Garza says in the film.
While equality and justice are very much works in progress there is reason for optimism, Wolitzky said.
“The one thing you know for sure is that all of the women that we see in the film are incredibly brilliant, courageous and determined. Women are are not going to be giving up,” she said.