The Columbus Dispatch

To heal country, let’s take a nap, use duct tape

- So to Speak Joe Blundo Columbus Dispatch

We must heal the country. But how? Pundits are already assuring us that, presidenti­al election aside, the nation will remain deeply split. So I say we borrow some quick fixes we use for other kinds of problems and apply them to the partisan divide. It can’t hurt.

Here are some possibilit­ies:

Turn the country off and turn it back on again.

That’s right: Reboot the nation. Granted, the nation has no on/off switch, but I think a nap would be an effective substitute.

We set a date — say Dec. 1 — and instruct the entire population of the United States to lie down for a snooze at 3 p.m. (2 p.m. Central). Everybody wakes up refreshed 20 minutes later, and we see if anything improves.

Upside: It’s guaranteed to interrupt turmoil for at least 20 minutes because naps are peaceful by definition. It’s impossible to hate-sleep.

Downside: Multitaske­rs might try to nap while driving, nap while performing surgery or nap while operating a nuclear power plant.

Apply duct tape

Duct tape permanentl­y fixes noth

It wasn’t long before the senior at Fort Hayes Metropolit­an Education Center saw her number of followers on Instagram jump from 400 to 2,400. And now, business is booming for the Clinton Township teen, whose website sells out of inventory quickly after each launch and whose books are full when it comes to custom orders.

Those who have known Hanna for years call her a prodigy whose work ethic and extreme focus on her craft will continue to make her a success as a young artist, even if the current social media spotlight on her subsides.

“Some of the things she’s made, most artists would not attempt in clay,” said Terri Maloney-houston, a studio artist who lives on the Northwest Side.

“Clay is soft and floppy, and the things she does definitely take some engineerin­g. She’s very precocious with her materials and has a willingnes­s to push her boundaries.”

Maloney-houston first met Hanna when the latter attended a summer ceramics camp that Maloney-houston hosted for area teens at the Woodward Park Community Center. Though her pupil was only a rising eighth grader at the time, Maloney-houston said Hanna had the drive of a college student engrossed in a ceramics major.

She said she has seen that talent and the desire to improve grow stronger as she has mentored and worked alongside Hanna the past four years. Hanna now helps her teach ceramics to elementary school students at Woodward Park — where she spent about 15 hours a week throwing and hand-building clay before the pandemic — and Hanna often is the one who adult ceramicist­s turn to for advice during open studio time.

Hanna admits that if a day passes without an opportunit­y to touch clay — to throw it, pinch it, glaze it or even recycle it — she isn’t very pleased.

And though she has always been an artist — she made tape sculptures when she was only 2 — when she found ceramics, she knew she had discovered her passion.

“I like how ceramics works,” said Hanna, who operates out of a studio that takes up half her bedroom. (Her kiln is in the pool shed.) “If you add water, it makes it smooth. If you take it away, it makes it dry. And how versatile it is with all the different glazes. It’s a really cool art form that is underappre­ciated.”

It doesn’t hurt that most of her work is purposely functional.

“You can drink out of my art,” she said. “That succulent over there is in one of my pots.”

Despite the practicali­ty of the art form, one of Hanna’s teachers at Fort Hayes, Megan Evans, has charged her to think more sculptural­ly, and she thinks her pupil is finding her voice.

“She did this tea set that was all about the bottom of the ocean, with coral and shells,” Evans said. “She did a sloth hanging off of a tree. I see nature as one of those things that is constantly coming up in her work — that transforma­tion, evolution, things die off, rebirth.”

Dawn Mccombs, owner of Glean in the Short North, has sold Hanna’s artwork in her shop since early 2019.

“The mushroom mugs she makes, they barely stay on the shelf,” said Mccombs, who also enjoys stocking Hanna’s honeycomb-inspired vases, cat earrings and teeny tiny 1-inch pots packaged as “A Little Bag of Pot.”

Hanna’s pieces typically cost anywhere from $10 to $60.

“For her age, she has a tremendous work ethic, and she has perseveran­ce,” Mccombs said. “This is a craft that is quite suited to her, and people are drawn to her because she’s exceptiona­lly talented.”

As Hanna looks past graduation, she hopes to become a ceramics instructor as well as a full-time artist.

She has a passion for working with those with disabiliti­es because one of her two older sisters has cerebral palsy. She regularly makes pottery to donate to nonprofits for fundraiser­s and has taught pottery to the special education classes taught by her mothers, Tiffany Hanna and Cheryl Kempf (who recently retired).

Both parents said she has always been the creative one in the family.

“She’s always been — since a young age — finding ways to express herself,” Tiffany Hanna said. “When she found pottery, it took off.”

Continued Kempf: “Even as a little kid, she had to be creating something. If you tried to interfere with that, she was not a happy person.”

Her recent surge in popularity certainly will help keep her busy.

Hanna has a knack for marketing herself, her teacher Evans said, and she will probably be able to pay for college — Hanna is leaning toward applying to Ohio University — from the success of her pottery business.

Hanna admits she has always had a penchant for capitalism, manning a lemonade stand, selling flip-flops she decorated and drawing henna tattoos for a fee as a youngster.

Though several festivals where she sells her works were canceled because of COVID-19, her online presence has blossomed, allowing Hanna’s creations to be sent all across the country. And with most of her schoolwork being online these days, it affords the teen more time to focus on her passion.

“I want to continue to expand my business,” she said. “I do love teaching and I want that to be a part of my life, but I want to just teach ceramics. … I’m not too interested in other media. Ceramics is where I can have the strongest impact on people.”

“She’s always been — since a young age — finding ways to express herself. When she found pottery, it took off.”

Tiffany Hanna one of Quinn Hanna’s mothers

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 ??  ?? The mushroom mugs made by Hanna are so popular that Dawn Mccombs, owner of Glean in the Short North, can't keep them stocked.
The mushroom mugs made by Hanna are so popular that Dawn Mccombs, owner of Glean in the Short North, can't keep them stocked.
 ?? PHOTOS COURTESY OF QUINN HANNA ?? A vase made by Quinn Hanna was inspired by the honey bees that her family keeps on their property.
PHOTOS COURTESY OF QUINN HANNA A vase made by Quinn Hanna was inspired by the honey bees that her family keeps on their property.

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