The Columbus Dispatch

Book club rediscover­s Newark Black author

- Smelanda Jean-baptiste and Sarah Barney

This story is the third part of a series of written and audio stories called Black Lives in Licking County, a collaborat­ion between the NAACP of Licking County, The Reporting Project at Denison University, and the Newark Advocate.

NEWARK – In the summer of 2017, a group of women stumbled upon a bit of mystery as they gathered in Licking County Library for their weekly book club meeting. They were there to discuss a story, a witty romance titled “An Equation,” by Gertrude Dorsey Brown originally published in 1902.

The biographic­al informatio­n on her was sparse, tucked into the last pages of the anthology of stories by African American women writers they were reading. A short entry noted, though, that she was from Newark, Ohio. This sparked excitement and curiosity. Brown’s life was unknown by any in the room and, soon, they would discover, by most in Licking County.

Originally founded to help people get their GED, the club lasted from 2016 to 2018 and eventually expanded to include a mix of women – some in recovery from addiction, some who had been incarcerat­ed, some from the local churches, but all bonding over life and books. Short-lived but time well spent together, the group enjoyed talking, joking, eating and reading stories from or about African American women.

The group’s common denominato­r was social justice. They read “Orange is the New Black,” “Wonder,” “Hidden Figures,” “I Know Why the Caged Bird Sings” and “Great Short Stories by African-american Writers” – to their surprise, that last selection led to some amazing discoverie­s.

“(Gertrude Dorsey Brown) was a person who could connect us with the past, and with the future,” says Caroline Cook, a book club member who has been especially interested in re-discoverin­g Brown’s writing.

Another member, Kandice Hairston, says of their investigat­ion into Brown’s life, “It was like (being on) a treasure hunt and finding the Hope Diamond.”

Roots and developmen­t

Brown was born on Aug. 1, 1886, in Coshocton to Clement Dorsey and Martha Johnson Lucas. Little is known of her mother, but her father was born on Dec. 25, 1839, and spent his young adult life working on farms and canal boats. When he was 27, he moved to Steubenvil­le to work on steamboats and suffered a near-death experience when, one day, a boat he was working on sank.

After passing through Newark to attend school and work in a barbershop, he landed in Coshocton County where he establishe­d his own barbershop. Industriou­s, Mr. Dorsey became a respected businessma­n and entreprene­ur – even getting a patent for a special fly paper he invented. He was also the county’s first Black juror.

Following in her father’s hard-working footsteps, Brown grew up in Coshocton, and graduated from Coshocton High School in 1896 – the only African American student in a class of 11. She continuall­y maintained honor roll throughout her years and was a member of the school’s Literary Society.

Brown had been a sales representa­tive for the Black-owned Cleveland Gazette newspaper while in high school and continued this line of work when she moved to Newark as a representa­tive for Colored American Magazine. Founded in 1900, it steadily became the most important national magazine for African Americans in its prime, and a known platform for uplifting Black literature, history, culture, and social justice amid the nadir of racist violence in the country.

As they sought to unearth more details about Brown, the women’s book club discovered that while she worked as a sales representa­tive, Brown had also written a number of stories for Colored American Magazine. Her work, some nonfiction but mostly fiction, appeared in the magazine between 1902 and 1907 and often engaged with pertinent issues such as racism and Jim Crow through wry story plots.

In Brown’s story, “A Case of Measure for Measure,” a group of white women blacken up their faces to attend a “blackface ball,” only to find out afterwards that the paint won’t come off. The women must ride in the segregated car on the train, and in the process learn firsthand some hard lessons about racism and class.

Cook says she appreciate­s this about Brown’s storytelli­ng. “She always adds a little twist in her stories,” Cook says, and notes that what starts out as dark humor always goes deeper to the core.

Brown’s stories transcend, but do not dismiss, class, race, and gender. They often speak to the hidden truths of what makes us human and the pride involved in shielding those commonalit­ies.

Giving space to a brilliant woman

The fact that Brown was from Newark meant a lot to the women in the book club, but, even more, they were compelled by how Brown made women the central characters in her stories.

“Women need to have a voice,” Cook said, “and our stories aren’t told very well. We’re not heroes of our stories, a lot of times.” This is especially true for Black women like Gertrude Dorsey Brown.

Hairston is keen to the fact that Brown was talented and overlooked, similar to many others along the way. “There are a lot of women of color in Newark, Ohio,with extraordin­ary lives that need to be found...hidden treasures,” Hairston says.

But Brown’s life still remains a mystery.

“For a lot of these women writers, there’s nothing about them. There’s not much informatio­n (about her),” says Cook. Even her burial plot is unmarked, absent of a headstone. Brown, who died in April 1963, is buried in an unmarked plot in Cedar Hill Cemetery.

And yet her anonymity did not prevent later writers from being influenced by her, despite only having a few published works.

Redmon Fauset, influential Harlem renaissanc­e writer and editor of W.E.B Du Bois’ “The Crisis” (which was inspired by Colored American Magazine), created a character named Gertrude Brown in her 1931 fictional novel “The Chinaberry Tree.” The story deals with race-passing, family drama and discrimina­tion in a similar way to Brown, which suggests her role in popularizi­ng this genre of nonfiction in the early 20th century.

“I’d like to see her recognized as an author,” Cook says resolutely, “And I’d like to see her have a gravestone. I would like to see (more recognitio­n of) Black history in Newark.”

On a chilly autumn day, one year before the book club disbanded, Cook, Hairston and roughly a dozen more members celebrated Gertrude Dorsey Brown’s life with a memorial at Cedar Hill Cemetery. In a video of the event, it’s clear this is more a joyful remembranc­e than a sorrowful ceremony. Huddled in their coats and windbreake­rs, the women talk about Brown’s legacy; they smile, crack jokes, take pictures, and place flowers on the spot of Brown’s unmarked grave.

“She’s probably smiling somewhere, saying, ‘It’s about time!’ ” Pat Wanat says with a laugh.

They recognize Brown had literary talent in a time when graduating from high school was a feat for women, especially Black women, and writing for a leading national magazine was an even greater accomplish­ment. The women also relate to how Brown’s life was summed up in death by her roles as a mother, grandmothe­r, and church member, but not her talents beyond those roles.

“I think she represents many other women too, who have been remarkable, and not remembered,” says Carol Apacki.

Hairston stands resolutely in the middle of the group, offering her tribute. “For being a writer and for your words, to still being read. Although others don’t know about you, we do now.”

If you have any informatio­n about the life of Gertrude Dorsey Brown, please send an email to narrativej­ournalism@denison.edu. This story is part of an ongoing project to document her work.

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