The Columbus Dispatch

‘A Crane Takes Flight’ explores Ohio poet

- Michael Grossberg

“A Crane Takes Flight” aims to take a fresh look at Ohio native Hart Crane, a renowned American poet.

Evolution Theatre Company’s world premiere of Mark Phillips Schwamberg­er’s play will open Sept. 8 at the Ohio History Center.

“I was looking to write about a native gay Ohioan in the arts... Hart Crane intrigued me because he had genius as well as demons,” said Mark Phillips Schwamberg­er, the company’s artistic/ executive director.

Schwamberg­er, who directs Dayton Edward Willison in the solo piece, said he hopes to arouse empathy for a gay Ohio artist who followed his “soul and heart.”

Schwamberg­er began researchin­g Crane’s life and work three years ago, and began writing the play in 2019.

“It’s not a biography but a dramatizat­ion reflecting my interpreta­tion... What I focus on is what inspired and destroyed this artist,” he said.

Crane, he learned, was a complex man who got into fights, got “nasty” when drunk and sometimes was physically abusive.

“But that was because of his demons ... his insecuriti­es and feelings of failure ... Being gay in early 1900s

America meant he had to hide,” he said.

Much of Crane’s romantic poetry was veiled.

“It had to be ambiguous because a lot was inspired by his love affairs, especially his love for one particular man that he met and lived with in New York,” Schwamberg­er said.

The 70-minute one-act imagines Crane’s spirit time-traveling to discuss his poetry, love affairs and the modern world.

“He realizes he’s deceased, and comes back, not necessaril­y as a ghost, to the present to New York’s Columbia Heights overlookin­g the Brooklyn Bridge where he was happiest in life,” Schwamberg­er said.

Praised as one of the most influential poets of his generation, Crane (18991932) is remembered for “The Bridge,” an epic poem celebratin­g urban culture.

Responding to T.S. Elliot’s “damned depressing” poem “The Wasteland,” Crane thought poetry should “uplift society,” Schwamberg­er said.

Willison, 34, was eager to portray Crane.

“He’s a burst of exuberant energy with a very deep soul... but there are also moments of complete stillness when he’s in pain or feeling deep emotion,” Willison said.

This is Willison’s first solo play. “I wasn’t really scared, maybe daunted a little because it’s an hour onstage by yourself with no one to help you,” he said. “But I’m an actor who feels: Bring it on!”

Willison wanted to do the play partly because he admires the writing and empathizes with his character.

“The play looks at who Crane was and what he went through as a gay man during an era when gay men could be arrested, beaten or killed, or at least ostracized from society,” he said.

Crane died at 32, drowning by apparent suicide while taking a ship from Mexico back to New York.

“I make it mysterious to leave questions in the audience’s mind,” Schwamberg­er said.

“My own interpreta­tion, from ship reports, is that he was murdered .... He was sexually active...there were times when he was beat up,” he said.

Evolution Theatre Company, a small profession­al troupe focused on LGBTQQIA artists and themes, selected the history museum as the play’s venue to bolster awareness of significant gay Ohioans.

“It’s a perfect fit there,” Schwamberg­er said, “and if people come an hour before curtain, they can visit the whole museum and witness Ohio history before experienci­ng this play about an important gay Ohio artist.” mgrossberg­1@gmail.com @mgrossberg­1

 ?? JERRI SHAFER/JAMS PHOTOGRAPH­Y ?? Dayton Edward Willison in Evolution Theatre Company’s production of the play “A Crane Takes Flight.”
JERRI SHAFER/JAMS PHOTOGRAPH­Y Dayton Edward Willison in Evolution Theatre Company’s production of the play “A Crane Takes Flight.”

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