The Columbus Dispatch

Ally Sheedy savors nuanced role in ‘Single Drunk Female’

- Lynn Elber

LOS ANGELES – Ally Sheedy’s career boasts hit movies including “The Breakfast Club” and “Wargames,” an awardwinin­g turn in the indie film “High Art” and a string of TV roles scattered over the years.

While Sheedy often returned to television between big-screen projects, she was unaware of how many innovative shows had joined the ranks of the convention­al. Then the 2020 pandemic lockdown arrived.

“I downloaded Hulu and HBO Max and Netflix and all this stuff that I never actually watched. I suddenly got an education on the streaming platforms,” she said in an interview.

When the script for Freeform’s “Single Drunk Female” came her way, Sheedy said, “it felt like of a piece with the kinds of shows I had been able to watch … I suddenly understood, ‘Oh, I see why a show like this could be made.’ ”

In the dark comedy, Sheedy plays mom Carol to the title character, 20somethin­g, newly recovering alcoholic Samantha (Sofia Black-d’elia). There’s no sugar-coating, with characters whose vulnerabil­ities are on full display as Samantha is forced to move back in with her mom.

The pair’s relationsh­ip is “very fluid and messy, which is what I love,” Sheedy said during a Q&A with TV critics. “I love Sofia. So, going to work every day was an absolute joy.”

Black-d’elia (“The Night Of,” “Gossip Girl”) described the mother-daughter dynamic as “complicate­d and funny and weird and nuanced in a way that I think any girl with a mother can understand and relate to, and it’s really fun doing it with Ally.”

The layered approach immediatel­y attracted Sheedy to the 10-episode series that’s in its first season on cable channel Freeform (10:30 p.m. EST Thursday) and on Hulu. Creator Simone Finch based it on her experience as a young woman.

Carol is “a woman of many contradict­ions,” Sheedy said. “She wasn’t written as any kind of quote-unquote mom, or ‘disaster of a mom.’ There were so many complexiti­es and levels to her, and the dynamic with the daughter….was really interestin­g and with a lot of places that it could go.”

Does Sheedy see parallels between contempora­ry TV and indie movies such as 1998’s “High Art”? In that film, Sheedy played a a drug-addicted photograph­er in a relationsh­ip with a younger woman, earning an Independen­t Spirit Award for best female lead.

“Yes, as a matter of fact,” she told The Associated Press. “There was a moment, maybe extended moments (into) the late ’90s, when indie film was developing and fruitful.”

The films included ”a lot of roles that were written for women outside of the box,” she said, with writer-director Lisa Cholodenko’s “High Art” among them. Sheedy sees the same happening in TV’S current wave, benefiting creators and viewers.

“There are so many stories that I wouldn’t just say need to be told, but are being asked for from a very broad audience,” she said.

Sheedy, who lives in New York, is putting her experience to work on screen and in the classroom. She’s in her fourth year of teaching a film acting class that she developed for City College of New York’s theater and speech department.

The most-asked questions she gets are unrelated to Hollywood glamour or gossip.

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