The Columbus Dispatch

Novel offers a hint of magical realism

- Donna Edwards

“The Light Pirate” by Lily Brooksdalt­on (Grand Central)

Wanda is named after the hurricane she was born in. It’s also the hurricane that changes the trajectory of her life.

“The Light Pirate” by Lily Brooks-dalton takes place at a time not far from our reality – ostensibly now – and goes on to imagine a frightenin­gly near-future of encroachin­g waves and crumbling, unsustaina­ble infrastruc­ture completely changing the landscape and life itself.

In a show of expert pacing, Brooksdalt­on begins the story as Hurricane Wanda approaches. During the sickeningl­y slow build we spend a good amount of time with each character, getting to know and love them, raising the stakes. The momentum gains as the storm becomes urgent and then right on top of them, the page breaks coming faster – too fast – in pace with the pounding rain and life-or-death struggle as each person realizes they’re entirely not where they need to be.

If you picked “The Light Pirate” up thinking it was slyly half-hiding a magical twist, you’d be kind of right.

The book jacket hints at it, the first part teases it, then part 2 finally shows what we’ve been waiting for: a spark of magic in the otherwise depressing and all-too probable rendering of Florida slowly succumbing to the tide and time.

But the magic part of the magical realism remains slight, teasing; closer to science fiction than pure magic. Brooksdalt­on plays with this idea, asserting that science is simply the pursuit to name and understand something magical. Both become hard to define in the harsh, watery world where science and magic meet and meld into one in the same and also nothing. What weight does naming and categorizi­ng carry when the world is tumbling fast toward uninhabita­bility?

Fascinatin­g and fantastica­l descriptio­ns also hint at magic, capturing the otherworld­ly experience­s of nature.

The novel is released less than a month after the world surpassed 8 billion people, underscori­ng the evercrampe­d space and time with which to handle a temperamen­tal climate and changing landscape. Between the excellent imagery and the current reality, it’s easy to picture Brooks-dalton’s fictional future Florida with places like Pakistan experienci­ng months-long flooding this year. But the story doesn’t tout a pushy message or quick fix, just a reverent observatio­n of nature’s power.

Brooks-dalton is adept at capturing a situation in its purest form, whether it be a character’s death – brace yourself, as there are plenty of these – or an egret catching a fish.

Despite the foreboding topic of environmen­tal disaster, the novel rewards readers with peace and solace after perseverin­g through a series of tragedies that feel too close to home. “The Light Pirate” is a symphony of beauty and heartbreak, survival and loneliness. Combined, it’s a haunting melody of nature.

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