The Commercial Appeal

Craig Brewer to direct Eddie Murphy in Netflix movie

- John Beifuss Memphis Commercial Appeal USA TODAY NETWORK - TENNESSEE

Memphis filmmaker Craig Brewer will direct superstar Eddie Murphy in a biopic for Netflix about Rudy Ray Moore, the “chitlin circuit” comedian and adult party-record pioneer who achieved lasting cult fame with a series of low-budget “blaxploita­tion” comedy movies showcasing his kung fu-fighting pimp alter ego, Dolemite.

Set to begin production Monday in Los Angles, according to Brewer, the movie will mark a high-profile feature film comeback for both Brewer and Murphy, albeit one that largely will bypass theaters for home viewing via the Netflix subscripti­on service.

Brewer, 47, has not directed a feature film since the 2011 “Footloose” remake, working instead mostly in television as a writer, director and producer on the hit Fox series “Empire.” That program reunited Taraji P. Henson and Terrence Howard, the stars of “Hustle & Flow,” the 2005 movie that brought the Memphis-based writer-director to national attention and to the Oscars ceremony, where the Best Original Song Academy Award went to the “Hustle” street anthem, “It’s Hard Out Here for a Pimp.”

The 57-year-old Murphy, meanwhile, who was probably the most popular actor in America in the 1980s, has confined his movie work during the past decade

mostly to independen­t films (his last starring role was in 2016’s “Mr. Church”), supporting roles and voice acting (Donkey in the “Shrek” films).

Tentativel­y titled “Dolemite Is My Name,” the Netflix film was scripted by the Memphis-connected team of Scott Alexander and Larry Karaszewsk­i, a duo that specialize­s in funhouse-mirror reflection­s of the convention­al American success story via movie biographie­s about offbeat characters in the worlds of art, entertainm­ent and celebrity.

Probably best-known now for the television limited series “American Crime Story: The People v. O.J. Simpson,” the team also wrote the screenplay­s for “Ed Wood,” “Big Eyes” (about the artist Margaret Keane), “Man on the Moon” (a movie about comedian Andy Kaufman that included scenes set in Memphis) and the shot-in-Memphis “The People vs. Larry Flynt” (about “Hustler” magazine publisher Larry Flynt). Karaszewsk­i. meanwhile, has been a frequent guest at the Indie Memphis Film Festival, appearing on panels with Brewer long before their current collaborat­ion.

Born in Fort Smith, Arkansas, Rudy Ray Moore (who died in 2008 at 81) developed his comic style in the Army and on the African-American nightclub scene known as the chitlin circuit.

Before the developmen­t of rap music, the raunchy nursery rhymes of Andrew “Dice” Clay or the X-rated stand-up extrapolat­ions of Murphy himself, Moore developed a signature style of racy rhymes that were made to order for such adults-only comedy albums as “Below the Belt” and “Eat Out More Often.”

But unlike such relative contempora­ries as Redd Foxx and Moms Mabley, Moore never received the recognitio­n from the white-controlled entertainm­ent industries that would have enabled him to emerge from the undergroun­d.

Using his own money, in 1975 Moore wrote and starred in “Dolemite,” which was at once a parody, a wish-fulfillmen­t and an earnest would-be apotheosis of the already almost exhausted “blaxploita­tion” trend in filmmaking. Although the paunchy, middle-aged Moore was an unlikely action hero, the movie was so successful it spawned four followups, the last of which was 1979’s beautifull­y titled “Disco Godfather.”

In the biopic, Murphy will play Moore throughout the “Dolemite” actor’s career, from the comedian’s early era of struggle to his latter days as a cult hero.

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 ??  ?? Eddie Murphy presents the award for best original screenplay in 2015 at the Oscars at the Dolby Theatre in Los Angeles. JOHN SHEARER / INVISION/ AP
Eddie Murphy presents the award for best original screenplay in 2015 at the Oscars at the Dolby Theatre in Los Angeles. JOHN SHEARER / INVISION/ AP

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