The Commercial Appeal

Sorority recruitmen­t proves to be catalyst for change in ‘Rush’

- Kathryn Justice Leache

“Rush,” the much-anticipate­d fourth novel by Lisa Patton, opens with a trenchant statement by Miss Pearl, the first of its three narrators: “I work for four hundred and thirty-eight white ladies in a threestory mansion, not a one of them over the age of twenty-two.”

Pearl, a black woman in her early 40s, is the housekeepe­r of a fictional sorority house at the University of Mississipp­i. Domestic work is not a career she had envisioned for herself as a high-achieving student. But her life “jumped the track,” as she puts it, during her own freshman year at Ole Miss, and here she is cleaning house for college girls for only $11.50 an hour — with no paid leave or benefits — after 25 years of loyal service. “The only thing keeping me working here is the girls,” she says. “I love them like they are my own daughters.”

The second narrator, Wilda Woodcock, is a white woman from Memphis who is on the verge of moving her daughter Ellie into Martin Hall for her freshman year. “I am one of those women who compares herself to others,” Wilda begins. “Yes, I’m well aware of what healthy people think about that, and I agree, it’s exhausting.” Wilda and Haynes, her husband, are down-toearth, generous and progressiv­e-minded people. They are also a bit cloistered, literally and figurative­ly, in the uppermiddl­e class environs of East Memphis.

The Woodcocks are a quintessen­tial Ole Miss family; Wilda and Haynes met Lisa Patton will discuss “Rush” at 6 p.m. Tuesday at Novel in Memphis. there, and Ellie is their third child to attend the university. When Wilda becomes reacquaint­ed with her former sorority sister Lilith Whitmore, the reader meets the icy villain of “Rush.” Lilith’s supreme confidence and outrageous social pretension­s plunge Wilda into a pit of painful insecurity — and it’s not something she can easily escape, as their daughters are now roommates.

The third narrator, Cali Watkins, from the “tee-tiny” town of Blue Mountain, Mississipp­i, is attending college on a full scholarshi­p. Raised with limited financial means but the loving support of her grandparen­ts, Cali has dreamed all her life of becoming governor of Mississipp­i by way of the Sally McDonnell Barksdale Honors College at the University of Mississipp­i: “My high school guidance counselor had encouraged me to apply for scholarshi­ps at more prestigiou­s universiti­es much farther away. As much as I wanted to get away from Blue Mountain — population 650 — I didn’t want to be that far away from my grandparen­ts,” she says. “Besides, I’ve been wanting to be an Ole Miss Rebel since I was a little girl.”

“Rush” follows these and other characters through recruitmen­t season, in and out of a bewilderin­g web of $10,000 dorm rooms, “coffee tastings” and a tailgate party featuring chandelier­s, an omelet station and a full bar complete with white-jacketed bartenders. But when the value and dignity of Miss Pearl’s position at the Alpha Delta Beta house is called into question, the sorority is mobilized to address more substantiv­e concerns than fashion and football.

Patton, a Memphis-born novelist based in Nashville, is well known for inserting semi-autobiogra­phical details in her novels. Her Dixie series, about a Memphis girl turned Vermont innkeeper, cemented her reputation as one of the South’s leading comic novelists. But in an afterword, Patton makes it clear that “Rush,” while written in a breezy style and full of humor, is intended to disrupt the norm of wage insecurity among domestic employees working tirelessly on behalf of Greek students at universiti­es all over the South and, likely, the entire country.

And while it would be a stretch to say that Rush has a feminist agenda, it nonetheles­s aces the Bechdel test: Its characters are women who spend the majority of their time talking to each other about nearly everything under the sun except men. In spite of what may seem like a taffeta cotillion gown of a setting, this is a novel of great substance, clear-eyed and genteelly gritty, with a moral that’s difficult to miss or dismiss. “Rush” is a dishy doorstop with a big, big heart and a whole lot to say.

For more local book coverage, please visit Chapter16.org, an online publicatio­n of Humanities Tennessee.

By Lisa Patton. St. Martin’s Press. 352 pages. $26.99.

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