The Commercial Appeal

PEOPLE IN THE NEWS

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The gothic family fantasy “The House with a Clock in Its Walls” exceeded expectatio­ns to debut with an estimated $26.9 million in ticket sales at the weekend box office.

Audiences showed considerab­ly less interest in Michael Moore’s Trump-themed documentar­y, “Fahrenheit 11/9,” than his George W. Bush-themed one. According to studio estimates Sunday, “The House with a Clock in Its Walls” was easily the biggest draw of a quiet weekend at North American theaters. The other three new wide releases all disappoint­ed or downright flopped.

“Fahrenheit 11/9” opened with $3.1 million in 1,719 theaters – a huge debut for most documentar­ies but a fraction of the $23.9 million opening generated in 2004 by Moore’s recordbrea­king “Fahrenheit 9/11.”

Dan Fogelman’s “Life Itself ” and the home invasion thriller “Assassinat­ion Nation” both barely registered in nationwide release.

Simon wraps up his farewell tour back home in Queens

Paul Simon ended his final concert tour under a moonlit sky on home turf Saturday, telling an audience in a Queens, New York, park that their cheers “mean more than you can know.”

Simon performed at Flushing Meadows Corona Park, which he said was a 20-minute bicycle ride from where he grew up, ending the landmark night with his first big hit, “The Sound of Silence.”

The 76-year-old Simon isn’t retiring and hasn’t ruled out occasional future performanc­es. But he’s said this is his last time out on the road.

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