The Commercial Appeal

Keith Morrison makes true crime a delicious addiction

- Alicia Rancilio | ASSOCIATED PRESS

NEW YORK – Keith Morrison, the “Dateline” correspond­ent, has spoken to countless murder suspects and grieving family members over the years. But he says he truthfully never had an appetite for covering crime.

“I had to be dragged into it. I resisted,” he said recently. “I think I felt like it was an invasion of people’s privacy.”

Morrison, who says he fell into television after working in radio because he was “pretty much a screw-up at everything else,” discovered over time that it could actually be therapeuti­c for the victims’ families to speak with him.

“They want to talk about their loved ones; they want to talk about what happened. They want justice.”

If people want to tell their stories, there’s an audience that wants to listen.

Netflix’s “Making a Murderer” and podcasts like “Dr. Death” and “Serial” show true crime has never been hotter, but “Dateline” has been in the game for nearly three decades and is still going strong.

Now in its 27th season and airing Fridays and Saturdays on NBC, it’s the longest-running prime-time show on the network. It’s also the highest-rated newsmagazi­ne show on Fridays.

One fan, Amanda Michelson of Cincinnati, jokes her dedication to the show is “an obsession.” She says she has nightmares about the show sometimes but “can’t get enough.”

Michelson is especially pleased when she sits down to watch an episode and learns Morrison is assigned to the story. “When I hear his voice, I know it’s going to be a good one,” she says.

NBC has taken advantage of the popularity of “Dateline.”

There are “Dateline” socks for sale and even free voicemails available for download on Sound Cloud featuring Morrison and fellow correspond­ent Josh Mankiewicz.

In one voicemail option, Morrison says, “No one can get to the phone. Troubling, really. Just leave a message and someone will get back to you. Or will they?”

There’s also lighter Morrison fare that has been made available, like a video of him reading “Rudolph the Red Nosed Reindeer.” In another, he reads the phone book and somehow makes that sound ominous.

Morrison, Mankiewicz, Andrea Canning and Dennis Murphy are all so popular, this year they were an attraction at CrimeCon, an annual convention for fans of true crime.

Working on “Dateline” also allows Morrison to explore long-form journalism. Episodes can be one or two hours long.

“Every story in life is really complicate­d and takes time to sort out, and it’s nice to be able to do that.”

It’s “an ambition” to go even longer, he said.

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