Bandwagon builds for LGBTQ diversity on children’s television
NEW YORK – Wilson Cruz, a co-star in the new Hulu animated children’s series “The Bravest Knight,” describes the show’s dad couple this way: “We’re not explaining homosexuality, or same-gender sexuality. We’re talking about the love of a family.”
His words and those of his fellow Hulu father, T.R. Knight, speak loudly about the state of LGBTQ representation in TV fare for kids, a segment of media that has been broadening story lines over the last several years to include a range of nonbinary characters.
“It’s these parents that love her and care about her. That’s it,” Knight told The Associated Press in a recent joint interview with Cruz, referring to their cartoon daughter, Nia, a brave knight-intraining.
Seeing same-sex parents, gay marriage and general expressions of romantic non-binary affection is something the 46year-old Knight wishes he had been exposed to growing up in Minneapolis.
“You feel starved, and you feel lonely, and that depression and that loneliness, it ain’t healthy,” he said.
Based on a 2014 book by Daniel Errico, the show comes soon after the longrunning “Arthur” series on PBS featured a same-sex wedding for the first time, facing a ban in Alabama in the process. In June, the Hasbro-created “My Little Pony” series on the Discovery Family Channel showed its first lesbian couple, Aunt Holiday and Auntie Lofty, who care for a young pony named Scootaloo.
“We have featured many types of families in the show over the past nine seasons and we hope this helps to provide kids and fans from all backgrounds an opportunity to identify with our characters and learn from their stories,” said a Hasbro spokeswoman, Julie Duffy.
Zeke Stokes, chief programs officer for the LGBTQ advocacy group GLAAD, said the struggle for inclusion has become easier as a number of LGBTQ writers and producers have made their way into positions of influence, though they’re still a fraction overall.
“What we’ve said to them all along is that we will lock arms with you and we will make sure that you hear from the families who are being impacted by this in a positive way,” Stokes said of GLAAD’S work behind the scenes to support greater representation. “Not only have they heard from LGBTQ families but they’ve heard from other families who are like, yeah, my kid has a friend who’s LGBTQ or my friend goes over to his friend’s house and their parents are LGBTQ. This is not just something that impacts LGBTQ families. It’s really something that gets experienced by everyone in society.”
Sometimes, he said, GLAAD is called on to review LGBTQ content before it airs. It happened on “Andi Mack,” a live-action, coming-of-age tween series that premiered on the Disney Channel in 2017, when a gay character, Cyrus, was coming out. The comedydrama won GLAAD’S inaugural media award for outstanding kids and family programming last year but was canceled after three seasons.
This year’s GLAAD winner was one of the animated groundbreakers, “Steven Universe,” which has also earned a Peabody Award and has fans of all ages since it premiered on the Cartoon Network in 2013. The show features the world of the Crystal Gems, magical humanlike aliens who live with young Steven, a half-human, half-gem boy who turns into the intersex “Stevonnie” after dancing close with a girl and “fusing,” a skill driven by affection.
A kiss between two of the three female-presenting Gems with whom Steven lives, Ruby and Sapphire, prompted a halfhearted online petition four years ago demanding the show pull back from LGBTQ themes. It didn’t.
Fallout in 2005 for the “Arthur” spin-off “Postcards from Buster” was a bigger deal. Then-u.s. Education Secretary Margaret Spellings demanded that PBS return federal funding over the inclusion in one episode of lesbian parents. PBS decided not to air the episode, “Sugartime!” The show’s co-producer, WGBH in Boston, distributed the episode directly to public television stations after the PBS decision. Some, including WGBH, aired it.
“It was a huge national scandal. It was early in my career and that incident really scarred us, those of us who are gay content creators,” said Chris Nee, who was the showrunner for Disney Junior’s Peabody-winning preschool hit “Doc Mcstuffins.”
Streaming has helped, notably Amazon Prime and Netflix, where Nee has a multiyear deal after leaving Disney. Among those without specific LGBTQ cast members or characters is the PBS mainstay “Sesame Street,” known for embracing a wide range of diversity over its 50-year history. The show referenced two dads as far back as 1982, in a song, and two moms in a more recent segment about families, among other examples.