The Commercial Appeal

What you can expect during Tennessee Shakespear­e Co.’s 2019-20 season

Drama, romance, comedy are ahead

- John Beifuss Memphis Commercial Appeal USA TODAY NETWORK – TENNESSEE

“The play’s the thing.” Shakespear­e wrote those words for Hamlet, who had a specific purpose in mind — he hoped a theatrical production would expose his father’s murderer. More generally, that statement suggests that plays, theater, the stage — whatever you want to call it — are important, significant and worthwhile.

This brings us to the Memphisbas­ed Tennessee Shakespear­e Company, which has announced its 12th season, built around the theme “Discover to Yourself,” taken from a quote from Shakespear­e’s “Julius Caesar,” which the company will perform for the first time in almost a decade.

With Dan Mcleary as “producing artistic director,” the company during the 2019-2020 season will again demonstrat­e that Shakespear­e is only one of its inspiratio­ns.

The new season will include works inspired by Jane Austen, Zora Neale Hurston, Margaret Mitchell and Broadway musicals, and performanc­es will take place in a variety of indoor and outdoor settings.

Here’s the schedule:

“Pericles, Prince of Tyre”: This play, attributed to Shakespear­e, will be performed in 10 different and often surprising spaces all over the Mid-south (including the Wiseacre Brewery and the small stage at “Chimes Square” in Overton Square), from Sept. 10-21. Admission to these performanc­es is free.

“Julius Caesar”: Shakespear­e’s masterpiec­e runs Sept. 25-Oct. 6 on the company’s Owen and Margaret Wellford Tabor Stage, 7950 Trinity.

“The Romeo and Juliet Project”: Oct. 17-Dec. 13, various schools.

“Broadway Stories and Songs: An Intimate Evening with ‘Big Fish’ Composer Andrew Lippa”: Oct. 16, “in a private home to be announced,” according to the company website.

“Showplace Memphis #1: Musical Works in Progress”: On the Tabor Stage, local composers preview excerpts from shows that are not yet finished, Nov. 2.

“Miss Bennet: Christmas at Pemberley”: A Jane Austen-inspired romantic comedy in which the bookish middle sister from “Pride and Prejudice” reunites with her sisters (and, of course, Mr. Darcy) at Pemberley manor. Dec. 4-22, the Tabor Stage.

“The Miraculous Journey of Edward Tulane”: An adaptation of Kate Dicamillo’s children’s book in which a china rabbit experience­s life by being handed off to a series of disparate characters.

Jan. 29-Feb. 16, the Tabor Stage. “Twelfth Night”: The company is accepting invitation­s: It will present Shakespear­e’s comedy of sexual identity and role-playing from Feb. 15 to May 18 in just about any suitable venue or classroom.

Call 901-759-0620 or write education@tnshakespe­are.org for more informatio­n.

“Southern Literary Salon: The Unlikely Sisterhood of Zora Neale Hurston and Margaret Mitchell”: A discussion group examines the connection­s between the authors of “Their Eyes Were Watching God” and “Gone With the Wind,” Feb. 23, the Tabor Stage. For tickets and more informatio­n, visit tnshakespe­are.org or call the TSC box office at 901-7590604.

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