The Commercial Appeal

Boots Riley to pick Indie Memphis screenwrit­ers

- John Beifuss Memphis Commercial Appeal USA TODAY NETWORK – TENNESSEE

Boots Riley, the filmmaker and hip-hop artist whose droll and impassione­d political science-fiction satire “Sorry to Bother You” remains one of the more noteworthy movies of the past few years, will select the recipients of this year’s Indie Memphis screenwrit­ing grants for black filmmakers.

Riley’s participat­ion marks the second year in a row that a significant filmmaker has been a partner with Indie Memphis in its black filmmaker fellowship program.

The current screenwrit­ing fellows – Jamey Hatley of Memphis and Raven Jackson of New York – were selected by Barry Jenkins, the director of “If Beale Street Could Talk” and the Oscar-winning Best Picture of 2016, “Moonlight.”

In the words of an Indie Memphis press release sent out Wednesday:

“During these crazy times, Indie Memphis is proud to cut through the noise of fear and uncertaint­y by offering up a bright spot of good news and excitement ... through our continued mission to champion black filmmakers.” Riley already had establishe­d a relationsh­ip with Indie Memphis, having been a guest at the 2018 festival, where he presented “Sorry to Bother You” and gave various talks, including the keynote address at the festival’s Black Creators Forum.

The first grant supports a “Black Filmmaker Residency for Screenwrit­ing,” for an out-of-town writer interested in creating a feature-length film to be shot in Memphis.

The second grant is for a “Black Filmmaker Fellowship in Screenwrit­ing,” to enable a Memphis-area resident create a screenplay for a feature film. The deadline to apply for either award is April 12.

Also, Indie Memphis has announced the return of its popular “Indiegrant­s” program, which provides up to $39,000 in various film production grants. The applicatio­n deadline is Aug. 2.

The screenwrit­ing grants were made possible by contributi­ons from the Rememberin­g George Riley Fund (establishe­d to honor the memory of the late Memphis-born social justice lawyer — no relation to Boots Riley) and the Arthur F. and Alice E. Adams Charitable Foundation.

For complete details and more informatio­n, visit the redesigned Indie Memphis website at indiememph­is.org (which, unfortunat­ely, currently features an empty calendar of events, due to coronaviru­s-caused cancellati­ons).

 ?? JOHN BEIFUSS/THE COMMERCIAL APPEAL ?? Boots Riley was in demand at the Indie Memphis Film Festival.
JOHN BEIFUSS/THE COMMERCIAL APPEAL Boots Riley was in demand at the Indie Memphis Film Festival.

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