The Commercial Appeal

The best movies we saw at New York Film Fest

- Brian Truitt

Start spreading the news: New York Film Festival is finally here. Virtually.

Like Toronto Internatio­nal Film Festival, NYFF decided to turn into a mostly online affair this year because of COVID-19. But you don’t have to show up to Lincoln Center to get tickets: Film fans can go online to rent movies from the impressive, globetrott­ing 2020 slate including Sofia Coppola’s “On the Rocks” (featuring Bill Murray and Rashida Jones) and the first three films in the five-part “Small Axe” anthology directed by Steve Mcqueen (“12 Years a Slave”) that tells stories set in London’s West Indian community from the late 1960s to the early ’80s.

After a successful Toronto fest, we’re heading to New York – which in 2020 means switching couches – to round up and rank the best efforts we watch:

5. ‘Fauna’

The quirky and slightly absurdist little Mexican comedy sneakily weaves in shades of criminal fiction and violence as part of populist imaginatio­n. Estranged siblings Luisa (Luisa Pardo) and Gabino (Gabino Rodríguez) return home to visit their parents alongside Luisa’s fellow actor and hapless boyfriend Paco (Francisco Barreiro), a bit player on a popular narco TV show. Their many awkward interactio­ns give way to a meta noir detective story with all the actors playing different roles that subtly hints at the town’s shady underbelly.

4. ‘The Inheritanc­e’

Director Ephraim Asili’s timely experiment­al film is part documentar­y and part fictional narrative interspers­ing a lesson on Black culture with a historical plight for racial and social justice. In the film peppered with footage of first Black congresswo­man Shirley Chisholm, as well as images of Black icons John Coltrane and Muhammad Ali, a young man (Eric Lockley) inherits his grandmothe­r’s Philadelph­ia house and creates a Black socialist collective with his girlfriend (Nozipho Mclean). Asili creates a tapestry of their story interspers­ed with the story of the MOVE liberation group and the tragic bombing of their Philly house in 1985 that took 11 lives and destroyed 61 homes.

3. ‘The Monopoly of Violence’

Those who followed the cable-news footage of the civil unrest in our country following George Floyd’s death will see an eerie reflection in this arresting French documentar­y chroniclin­g the violent skirmishes in late 2018 between national police and the gilets jaunes (aka yellow vests) movement that called for economic justice in Paris. Amid brutal and haunting footage, academics debate the philosophy of legitimize­d power and should the state hold it, while police and victims alike discuss their sides of a conflict that claimed hands and eyes and changed lives forever.

2. ‘All In: The Fight for Democracy’

You won’t find a more persuasive and urgent vehicle to get people voting in the 2020 election than this well-done and informativ­e documentar­y that goes to some dark places in American history yet also leans hopeful. The film chronicles voter suppressio­n tactics and the disenfranc­hisement of people of color and women – from the earliest days of the country until now – and lifts the voices of those who’ve fought against it. “All In” also focuses on Abrams, a Democrat who ran for Georgia governor in 2018 and has her own stories to tell about the importance of voting rights.

1. ‘Lovers Rock’

The only fictional tale in Mcqueen’s series, the 1980-set slice-of-life narrative centers on a house party at a time when Black people weren’t welcome at white London nightclubs. Martha (newcomer Amarah-jae St. Aubyn) sneaks out of her house and goes to this reggaefuel­ed shindig where she meets the flirtatious Frankyn (Micheal Ward) in a night filled with love, revelry, racial tensions and hard feelings. Mcqueen brilliantl­y stages the party as an evolving organism, from women doing sharp karate moves to “Kung Fu Fighting” early in the evening to men dancing wildly as the night wears on, and a parade of tunes throughout lend the movie its joyous heartbeat.

 ?? MAXIME REYNIE ?? Police are ready to quell gilets jaunes (aka “yellow vests”) protestors in Paris in the documentar­y “The Monopoly of Violence.”
MAXIME REYNIE Police are ready to quell gilets jaunes (aka “yellow vests”) protestors in Paris in the documentar­y “The Monopoly of Violence.”
 ?? STUDIOS AMAZON ?? Franklyn (Micheal Ward) and Martha (Amarah-jae St. Aubyn) meet at a lively reggae party in 1980 in Steve Mcqueen’s “Lovers Rock.”
STUDIOS AMAZON Franklyn (Micheal Ward) and Martha (Amarah-jae St. Aubyn) meet at a lively reggae party in 1980 in Steve Mcqueen’s “Lovers Rock.”

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