The Commercial Appeal

Charley Pride, country’s first Black superstar, dies

- Mark Kennedy

NEW YORK – Charley Pride, whose rich baritone on such hits as “Kiss an Angel Good Morning” helped sell millions of records and helped make him the first Black member of the Country Music Hall of Fame, has died. He was 86. Pride died Saturday in Dallas of complicati­ons from COVID-19, according to Jeremy Westby of the public relations firm 2911 Media.

Pride released dozens of albums and sold more than 25 million records during a career that began in the mid-1960s. Hits besides “Kiss an Angel Good Morning” in 1971 included “Is Anybody Goin’ to San Antone,” “Burgers and Fries,” “Mountain of Love,” and “Someone Loves You Honey.”

He had three Grammy Awards, more than 30 No. 1 hits between 1969 and 1984, won the Country Music Associatio­n’s Top Male Vocalist and Entertaine­r of the Year awards in 1972 and was inducted into the Country Music Hall of Fame in 2000.

The Smithsonia­n in Washington acquired memorabili­a from Pride, including a pair of boots and one of his guitars, for the the National Museum of African American History and Culture.

Until the early 1990s, when Cleve Francis came along, Pride was the only Black country singer signed to a major label. In 1993, he joined the Grand Ole Opry cast in Nashville.

“They used to ask me how it feels to be the ‘first colored country singer,’ ” he told The Dallas Morning News in 1992. “Then it was ‘first Negro country singer;’ then ‘first Black country singer.’ Now I’m the ‘first African-american country singer.’ That’s about the only thing that’s changed. This country is so raceconsci­ous, so ate-up with colors and pigments. I call it ‘skin hangups’ – it’s a disease.” Pride was raised in Sledge, Mississipp­i, the son of a sharecropp­er. He had seven brothers and three sisters.

In 2008 while accepting a Lifetime Achievemen­t Award as part of the Mississipp­i Governor’s Awards for Excellence in the Arts, Pride said he never focused on race.

“My older sister one time said, ‘Why are you singing THEIR music?’ ” Pride said. “But we all understand what the y’all-and-us-syndrome has been. See, I never as an individual accepted that, and I truly believe that’s why I am where I am today.”

As a young man before launching his singing career, he was a pitcher and outfielder in the Negro American League with the Memphis Red Sox.

After playing minor league baseball a couple of years, he ended up in Helena, Montana, where he worked in a zinc smelting plant by day and played country music in nightclubs at night.

After a tryout with the New York Mets, he visited Nashville and broke into country music when Chet Atkins, head of RCA Records, heard two of his demo tapes and signed him.

To ensure that Pride was judged on his music and not his race, his first few singles were sent to radio stations without a publicity photo. After his identity became known, a few country radio stations refused to play his music. For the most part, though, Pride said he was well received.

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