The Commercial Appeal

Poets offer their perspectiv­es on the global pandemic

- Emily Choate Chapter16.org

“Together in a Sudden Strangenes­s” gathers more than 100 poets, whose consummate skill and invaluable insight shed light on the unpreceden­ted experience­s of 2020’s global pandemic. As COVID-19 case numbers rise across the country, this collection appears at the exact moment when the nuanced and profound nourishmen­t it offers may be needed most.

Editor Alice Quinn has included poets who run the gamut of race, gender, region and generation. Stalwart figures in American poetry like Sharon Olds, Yusef Komunyakaa, Eileen Myles and Billy Collins appear alongside newer voices like Jenny Xie, Tommy Orange and Nashville native Kamilah Aisha Moon. Read one after another, the diversity of voices represente­d by these poets reflects the endless variety of circumstan­ces under which people have had to face this worldwide event.

Julia Alvarez considers the future of poetic form itself in the opening poem, “How Will This Pandemic Affect Poetry?”:

“Will the lines be six feet apart?

Will these hexameters be heroic like Homer’s?

(Will) (each) (word) (have) (to) (be) (masked) (?)”

The 100 poems that follow may offer the beginnings of an answer. Through a wide range of forms, these poems find ways to honor experience­s of deep suffering and sacrifice, while also resisting the easy dismissal of small, everyday struggles. They confront the injustices that make some communitie­s especially vulnerable now, while also valuing the intimate observatio­ns brought on by the relative peace of domestic lockdown.

Some poets describe the loneliness of missing human contact during periods of social isolation. Some evoke the sense of feeling haunted by those they miss, living or dead. Others convey an altered sense of time passing, a suspension from normality best described by Eliza Griswold: “Every honest answer / is Not Yet.” Still others reveal surprising desires or habits they develop while trapped at home.

But many of us cannot stay home, and a number of the poems in “Together” speak to the dangers they face. 2020 Pulitzer Prize winner Jericho Brown writes: “The people who work at the grocery don’t care. / They say, Thank you. They say, Sorry, / We don’t sell motor oil anymore with a grief so thick / You could touch it. Go on. Touch it.” Amit Majmudar’s “An American Nurse Foresees Her Death” gives a harrowing picture: “I stepped out of a killzone shaped like a bedroom / then went home to sleep in my garage. / This hand that sponged the fever off a body / waves at my kids through the living room window.”

Numerous poets address the undercurre­nts of violent racism that have aggravated the pandemic-era suffering of millions in our country. These poems include references to rising hostility toward Chinese Americans (Sally Wen Mao’s “Batshit”) and to systemic oppression of indigenous communitie­s (Tommy Orange’s “Aftermaths”). Claudia Rankine’s stunning “Weather” evokes the death of George Floyd and subsequent protests around the world.

Rather than indulge any longing to return to “normal,” these poets recognize that our post-pandemic future lies somewhere new, as yet undefined. Major Jackson, who recently joined the faculty of Vanderbilt University, acknowledg­es our current sense of dislocatio­n in “Invocation”: “Down here, we’ve inherited an arcade of stars / and want kindness that can stop a bomb.” Jackson goes on to describe a series of desires — for the vanishing of “rallies of hate”; for a dance floor where we can touch “the tips of each other’s fingers / streaming their ambient light.” But for now, the future remains unknown: “Such were the new births of ourselves / breaching horizons like a sting.”

Given its subject matter, “Together” suggests a collective experience of staggering complexity. But out of its many perspectiv­es rises a cumulative impression more focused than that complexity suggests. From these poets’ voices emerges a powerful drive toward fuller, humbler understand­ing of the role we each play, individual­ly, in a much grander picture.

Susan Stewart writes of this deep reckoning in “Three Octets”: “One thing will clarify another, / and dark night will not rob you of / your way, and the sun will not blind you, / or the river drown you, until you see / deeply into the final rule of nature.”

Both cathartic and challengin­g, “Together in a Sudden Strangenes­s” provides an early glimpse into how literary writers will discover new form and language to convey the unfolding perils of this unpreceden­ted time. In these poems, we experience the enduring capacity of the human imaginatio­n to locate meaning, beauty, and witness — even in the direst circumstan­ces.

For more local book coverage, please visit Chapter16.org, an online publicatio­n of Humanities Tennessee.

 ?? CAMERON BLAYLOCK ?? Editor Alice Quinn has included poets who run the gamut of race, gender, region and generation in “Together in a Sudden Strangenes­s.”
CAMERON BLAYLOCK Editor Alice Quinn has included poets who run the gamut of race, gender, region and generation in “Together in a Sudden Strangenes­s.”
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