The Commercial Appeal

Musicals can hit sweet or sour notes

- Kelly Lawler USA TODAY

In honor of NBC’S “Annie,” we ranked best and worst live musicals since “Sound of Music.” When they worked, they were stunning. When they failed, they were disasters.

The best

‘Jesus Christ Superstar Live in Concert’

April 1, 2018 (NBC) Andrew Lloyd Weber’s religious rock opera proved an excellent choice for an Easter musical, staged as a concert more than a typical Broadway show. It works for this show, which brings rock to the biblical story of Jesus Christ’s last few days from the perspectiv­e of Jesus, Mary Magdalene and Judas. With John Legend, Sara Bareilles and Brandon Victor Dixon in the three starring roles, “Superstar” sounded and looked superb.

‘Grease Live!’

Jan. 31, 2016 (Fox) What the Fox staging of the 1950s-set musical understood was having fun. Nobody had a better time than the young, vibrant cast, including Julianne Hough, Aaron Tveit, Vanessa Hudgens, Keke Palmer and Carly Rae Jepsen. The hopping production bounced all over the Warner Bros. lot in Los Angeles, keeping up an infectious energy and staging huge, impressive dance numbers with a live audience to cheer on the actors. The production captured the grandeur of both the movie and the stage show, but also felt aptly suited for television.

‘The Wiz Live!’

Dec. 3, 2015 (NBC)

The only thing lacking in this emotional, colorful and impeccably performed staging of the irreverent take on “The Wizard of Oz” was a live audience to give standing ovations to the

fantastic performanc­es from Uzo Aduba, Amber Riley, Mary J. Blige and Queen Latifah. NBC later learned how a live audience improves the atmosphere of a show, but even with some silent moments between numbers, “Wiz” was so entertaini­ng and bombastic it felt as if your living room was transforme­d into a Broadway theater. Instead of trying to go big with the staging, producers wisely chose to keep it more subdued, which allowed the costumes, sets and vivid performanc­es to stand out.

‘Hairspray Live!’

Dec. 7, 2016 (NBC) With a Broadway-worthy cast, fun cameos and a rollicking score to sing and dance to, “Hairspray” was the platonic ideal of the live TV musical. The show was a perfect choice for NBC, a popular musical with a heartwarmi­ng message and colorful costumes. Buoyed by favorable comparison­s to the poorly received 2007 feature-film adaptation, “Hairspray” was an effortless good time that used the best parts of the Broadway show and the television format.

The worst

‘The Sound of Music Live!’

Dec. 5, 2013 (NBC) Back when NBC kicked off the live TV musical trend with this production starring Carrie Underwood, many thought this was as low as the genre could go. Sadly, we were wrong, and in retrospect, “Music” isn’t really that bad (and had the best ratings of the bunch). Underwood’s lack of acting ability made the musical cringewort­hy at times; so did some of the staging snafus and awkward transition­s. But the songs were belted with glee, and the production made TV musicals a relevant trend again.

‘The Little Mermaid Live!’

Nov. 5, 2019 (ABC)

It’s hard to categorize this oddball production as a live musical at all, considerin­g ABC chose to stage only the songs from the animated classic, interspers­ed with scenes from the 1989 film. It was certainly cheaper than staging the musical in its entirety because of the whole underwater thing, but it led to a choppy, poorly paced event that could barely hold its audience’s attention. The singers were mostly great but the whole endeavor felt pretty pointless.

‘The Passion’

March 20, 2016 (Fox) Especially compared with the very successful and entertaini­ng “Superstar,” this attempt to inject the story of Christ with random rock songs and a hodgepodge of celebrity talent was an abject failure, and felt more like a PBS telethon than a coherent stage show. Good intentions and talented people were involved, but the “Passion” was more forgettabl­e than anything else.

‘Dr. Seuss’ The Grinch Musical!’

Dec. 9, 2020 (NBC) This version of the “Grinch” can be summed up in three words: stink, stank, stunk. Dr. Seuss’ classic children’s story was immortaliz­ed in a 25-minute animated special in 1966. More recent attempts to turn the simple story into a feature-length movie are futile, whether starring Jim Carrey (2000), Benedict Cumberbatc­h (2018), or, in this debacle, “Glee” alum Matthew Morrison. A pelvicthru­sting, bad-punning, screeching version of the green curmudgeon was not what anyone wanted or needed.

‘Rent Live!’

Jan. 27, 2019 (Fox)

A victim of circumstan­ce, poor planning and lackluster performanc­es, this so-called live production of classic 1990s musical “Rent” was barely live at all, after one of the principal actors broke his foot before the metaphoric­al curtain could rise. The injury forced Fox to air a recorded dress rehearsal. Coupled with dizzying staging and camera work, a too-loud audience and awkward lines and lyrics substitute­d for curse words, “Rent” fell flat from the first note.

‘A Christmas Story Live!’

Dec. 17, 2017 (Fox)

As painful as shooting your eye out with a Red Ryder BB gun, Fox’s “Christmas” was a poor choice of material that led to a muted, awkward production. Sure, the production looked nice but camera angles couldn’t bring out better performanc­es from the child actors or add laughs when jokes fell flat.

‘Peter Pan Live’

Dec. 4, 2014 (NBC)

The biggest problem with NBC’S “Peter Pan” is that it was a poor choice to begin with. Even if the cast and staging had been good, the old-fashioned musical just didn’t play to a modern audience. The sets and costumes looked cheap, Christophe­r Walken sleepwalke­d as Captain Hook, and Allison Williams proved a less-thanappeal­ing Peter.

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