Newman weighs in on Putin, science vs. religion and more in new album
As one of pop’s master satirist-humorists, it’s likely no surprise that for his first studio album in nine years, songwriter-composer Randy Newman has set his artistic crosshairs on Russian President Vladimir Putin.
After all, this is the artist who inspired anger and protests with “Short People,” his 1977 sendup of racism. Earlier, in a takedown of duplicitous foreign policy in “Political Science,” he sarcastically suggested that the United States “drop the ‘big one,’ and see what happens.” Then there’s “I Love L.A.,” his paean to his native town that deftly wove in an allusion to this city’s homeless problem.
And now Newman has gone topical again with “Putin,” a centerpiece of his new album, “Dark Matter.”
Because of their relative scarcity, any new work from Randy Newman is an event. Since his 1968 debut, he’s released just 10 studio collections — a rate of about one every four years. That pace has slowed in the last three decades, during which he’s put out just four. Of course, there’s also his composing work, as Newman has scored more than 20 films, including Disney/Pixar’s latest, “Cars 3.”
“Randy Newman is a national treasure,” said Eagles co-founder and longtime friend Don Henley. “He’s also probably the most misunderstood and underappreciated recording artist alive.”
“He’s one of the only living songwriters who can get ridicule and empathy into the same song. Sometimes, he works in the realm of irony; other times, he’s a heart-on-his-sleeve romantic,” he said. “The combination of his lyrical genius and his deep ability as an orchestrator and composer is powerful stuff. There’s nobody quite like him.
“I said when I inducted Randy into the Rock & Roll Hall of Fame, that what you hear in his music is America, in all its shame and all its glory … He mines so many rich veins of American musical culture and synthesizes them in a way that nobody else has done.”
Newman is thinking big on “Dark Matter.” The opening track, “The Great Debate,” is an 8-and-1/2-minute suite, a faceoff between science and religious faith that plays out cinematically, with a narrator interacting with several distinct other points of view expressed by varied characters who are fleshed out by a shifting musical mise-en-scene.
In the case of “Putin,” Newman proved to be a little prescient. The song was written long before reports of Russia’s interference in the 2016 U.S. presidential election came to light and well ahead of President Trump regularly voicing admiration for the Russian leader.
“It’s really not that critical of him — that’s what surprises me,” Newman, 73, said, sitting at a picnic table at the Pacific Palisades home he has shared with his wife, Gretchen, and children for the last 20 years.
“Putin” began a few years ago, but Newman was less interested in the leader’s policies. Instead, Newman zeroed in on what he saw as a quest for fame, as inspiration struck when images of the shirtless ex-KGB officer riding a horse in the Russian countryside began to circulate on the Internet.
“He can drive his giant tractor across the Trans-Siberian plain/ He can power a nuclear reactor with the left side of his brain,” he sings.
“I wondered at it: What does he need with that — why? He’s the richest man there is. He’s the most powerful. What’s he want?” Newman said, also revealing the seemingly insatiable curiosity that compels him to keep writing and recording nearly 40 years after the release of his strikingly idiosyncratic debut album, “Randy Newman” (subtitled “Something New Under the Sun”).
His conclusion about Putin’s public braggadocio: “I think he also wants to be Tom Cruise. He wants to be like a movie star — a superhero, a strongman.
“There are videos of him throwing bigger young men around,” Newman said. “It interested me, but it also worried me. It’s an oddly baby-ish sort
of behavior … . And this was before I knew there was going to be this giant baby — this giant, evil baby — running our country.”
So yes, as that statement would imply, Newman has written a song about Trump. But he has chosen to keep the full tune to himself, at least for now.
As he's stated in a number of other interviews, he chose fairly vulgar language to capture the defining persona of someone he considers to be a vulgar public figure.
“There was an article in some paper that said (Trump) is like a character in a Randy Newman song,” he said. “And he is. I mean, I don't think of those people as quite real … . That's why he's proving a problem in some ways for comedians in that it's so much. With satire you want to (be able to) exaggerate a little bit.”
Among the outlandish characters on “Dark Matter” is Randy Newman himself.
In “The Great Debate,” he calls out for the “untrustworthy narrator” — a device he's often employed throughout his career, which has netted him two Academy Awards, six Grammys and three Emmys, among other accolades.
In “The Great Debate,” a character called True Believer outright castigates the song's narrator: “Sir, do you know what you are? You're an idiot, you're a straw man, a fabrication. You see, the author of this little vignette, Mr. Newman, a self-described atheist and commonist, creates characters like you as objects of ridicule.”
It adds a layer of richness to the tale, in which scientists debate religious folks over topics such as dark matter, evolution and global warming, all hot-button issues in today's world of divisive political discourse.
“You start to think, ‘Well, this guy's got an open mind' and then he just gets mowed down by the power of the stuff connected with religiosity, with faith, because it's just mighty,” said Newman, who does indeed consider himself an agnostic, if perhaps not a full-blown atheist.
Some of his songs about the human race are as sharp-edged as any of Mark Twain's darkest writings — case in point, 1972's “God's Song,” in which the Lord tells his image-sharing twolegged creations that, “Man means nothing, he means less to me, than the lowliest cactus flower.”
“I'm not cynical about the individual behavior, but I'm shocked by how bad the mass behavior has been politically,” he said. “I don't think there are 40 million (jerks) in this country. They're not (jerks). There are some nice people that voted for this really bad example of an American.”