The Day

Ben Harper, Charlie Musselwhit­e stage blues reunion

- By PABLO GORONDI

With a Grammy for best blues album in their pocket for 2014's "Get Up!" Ben Harper and Charlie Musselwhit­e put themselves in contention again with "No Mercy in This Land."

The credit sheet gives the impression of a lopsided May-September collaborat­ion. Harper wrote or co-wrote the 10 tracks, sings and plays guitar (slide, acoustic, electric) on all of them and co-produced the record. All Musselwhit­e does is play the harmonica and intone some emotional verses on the title track. Just like all Shakespear­e did was write Ben Harper & Charlie Musselwhit­e NO MERCY IN THIS LAND Anti-Records

plays and poems.

The album veers between electric and acoustic sounds, from songs about the challenges and thrills of love to a couple of tunes about alcoholism and others about seemingly insurmount­able hardships.

There are sharp observatio­ns and knowledge of the world in Harper's songs — "Everybody says I love you/But not everybody lives I love you" and "You may have learned to hustle/But you never learned to dance" — and they're a great fit with the duo's magnetic blues repertoire, blended with gospel, soul and rhythm & blues.

"The Bottle Wins Again" rages, "Bad Habits" shakes, "Moving On" struts and "Found the One" sounds ripe for a cover by Harper's other veteran collaborat­ors, the Blind Boys of Alabama.

Musselwhit­e's tones range from Little Walter-like overdriven vamps to a caressing contributi­on reminiscen­t of Larry Adler on the excellent album-ending ballad "Nothing at All." Lead guitarist Jason Mozersky, whose solos blend beautifull­y with Musselwhit­e's, bassist Jesse Ingalls and drummer Jimmy Paxson form a tight, flexible unit.

There's no audible generation gap on "No Mercy in This Land," just a pair of kindred souls who know how to make great music.

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