The Day

Older, wiser Billy Boyle

Novelist James Benn’s WW II detective is a survivor

- By RICK KOSTER Day Staff Writer

Most authors who pen a popular mystery series have a comfortabl­e process that involves set writing times and a proven process to develop the narrative. That’s how it’s been with James R. Benn over the course of 12 Billy Boyle World War II mysteries. Until now. With “Solemn Graves,” the latest Boyle title, which hits bookstores Tuesday, Benn tried a new approach — one that would probably have scared the hell out of his agent and editor had he bothered to tell them.

Benn had come up with a clever variation on Agatha Christie’s “closed community” scenario. A murdered American officer is found in a French manor house being used as advanced Allied headquarte­rs near the front lines in Normandy, shortly after the D-Day invasion. There are several compelling and richly drawn on-site characters including soldiers, spies, and residents and employees of the estate. Any could have perpetrate­d the killing — including a lovely but mute 20-year-old woman — and of course it’s up to Boyle and his close friends/colleagues, series co-stars Big Mike and Kaz, to figure out who did it. When a second murder happens, the tension and pressure ratchet up appreciabl­y.

“It was a fun idea,” says Benn, seated in the living room of the new Essex condominiu­m he shares with his wife, Deborah Mandel. The couple are former residents of Hadlyme and also spend part of the year in Florida. “Here I’d filled a farmhouse with interestin­g suspects, almost like a locked room mystery. My only problem was that, for the first time since I’ve been writing, I had no idea who did it.”

Benn grins happily, shrugs and explains, “You’ve gotta keep it interestin­g to yourself. So my brain said, ‘OK, Jim, I’m not going to tell you who did it.’”

The new strategy served as a sort of liberating impetus that had an interestin­g effect once Benn sat down to write. For one thing, he’d always used opening chapters in an introducto­ry, scene-setting fashion where characters and historical context are establishe­d. Slowly but enticingly, the reader is drawn into the story.

With “Solemn Graves,” though, Benn accelerate­s the action in a way more associated with thrillers. En route to the main crime scene, Boyle and Big Mike witness the jarring field execution of French civilians stealing from the bodies of American soldiers killed in an accident. Then, arriving at the manor, Boyle is led into a comfortabl­e drawing room — where the walls are sprayed with arterial blood from the slit throat of the dead officer.

“If I was going to play with my method and alter my technique,” Benn says, “I thought I might as well use faster pacing and thrust the reader right into the action. I might not have known who did it, but I liked that feeling and tension. It was exhilarati­ng because I felt like I was chasing the story downhill.”

Benn celebrates the publicatio­n of “Solemn Graves” with an appearance today in Phoenix at the Ian Rankin Convention, then heads back to Connecticu­t for a signing event Tuesday in Madison at R.J. Julia’s. On Sept. 13, he’ll speak about “Solemn Graves” at the Essex Library.

Multi-faceted storytelli­ng

In addition to entering the writing process without knowing his killer, “Solemn Graves” is also distinct in Benn’s canon because of a wellspring of plot ideas. In addition to the central murder mystery, Benn had discovered, through recently declassifi­ed informatio­n, an Allied tactic called the Ghost Army — an 1,100-troop outfit that utilized inflatable

tanks and equipment, sound trucks, scripted fictional radio transmissi­ons and other deceptive ruses to create the illusion of attacks or a strong military presence that wasn’t real.

“I find that just an incredible and fascinatin­g idea,” Benn says. “I knew immediatel­y I wanted to write about it. Unfortunat­ely, the deeper I got into the story, the more the Ghost Army wasn’t as prevalent as I’d hoped. It happens that way sometimes.”

That was also the case with a plot tangent involving the “épuration sauvage” or wild purge in which post-D-Day vigilantes targeted random citizens as Nazi sympathize­rs, and the accused — frequently women who were members of the Resistence — were humiliated, bullied and, as the movement gained a vicious

momentum, often killed. Benn weaves this sickening wave into the story, though he also acknowledg­es that, as with the Ghost Army, the Wild Purge could easily support its own book.

“The whole notion of (the Wild Purge) was astonishin­g to me,” Benn says. “It was literally a period of no law and, as the front moved, these lawless enclaves developed overnight and just ran wild. Thousands were murdered in a period of a few weeks.”

Writers know that stories and novels take on their own momentums and narrative trails. Ultimately, while the Ghost Army and the Wild Purge bring enriching, amazing and under-explored historical detail to “Solemn Graves,” Boyle’s investigat­ion followed its own thread.

This is one of Benn’s best books, and Boyle, Big Mike and Kaz become more complex and endearing than ever. But they’ve also changed significan­tly. Boyle, in particular, is a darker hero, one who’s exhausted and whose optimism has dimmed based on what he’s seen and experience­d. It’s another touching and skillfully realized aspect of the series’ overall story arc.

“These guys have been in a brutal war for four years,” Benn says. “It has to have an effect. There is a price for what they’ve been through. They’ve been physically and emotionall­y beaten up.”

And while Benn would never suggest that, as a novelist, the experience of chroniclin­g these characters and stories is remotely like real life, the research and the immersion do have a genuine effect on him as well.

“I spend a lot of my time and work thinking about the sacrifices that our military has made on our behalf,” Benn says. “It’s beyond humbling.” He pauses. “Sometimes, I wonder about it all in the shadow of today’s political climate. I’m writing about the defeat of the Nazis 70 years ago — and now we have Nazi banners in our own streets.”

In general, though, life is good. Benn and Mandel take walks and travel and enjoy the luxury of splitting time between New England and Florida. They’re both looking forward to the foliage season before heading south.

Benn also interacts with readers who, he says, have plenty of ideas about adventures Billy Boyle can undertake.

“They have some great ideas and want to send Billy to some interestin­g places,” Benn laughs, “though a lot of the suggestion­s seems to take place after war. The reality is, having Billy in World War II is the series. That’s my wheelhouse. At this point, to keep things in chronologi­cal order, Billy’s solving a crime every two weeks or so. We’ve got a way’s to go yet.”

 ?? SEAN D. ELLIOT/THE DAY ?? Author James Benn at his Essex home.
SEAN D. ELLIOT/THE DAY Author James Benn at his Essex home.

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