The Day

BLINDED BY THE LIGHT

- New movies this week

PG-13, 114 minutes. Starts Friday at Niantic, Mystic Luxury Cinemas, Stonington, Westbrook, Lisbon. Recent films using music superstars as their foundation have taken different approaches to telling their stories. “Bohemian Rhapsody” was a traditiona­l biopic of Freddie Mercury and Queen, while “Rocketman” looked at Elton John’s life using his tunes in a musical theater format. “Yesterday” took a fantasy approach by looking at a world that had never heard of the Beatles. “Blinded by the Light” also takes an original tactic in its use of Bruce Springstee­n’s works as the baseline. The fact-inspired story of a young Pakistani teen who uses The Boss to help him deal with the pain and bigotry in his life shows how powerfully inspiratio­nal art can be. A song may not change the world, but “Blinded by the Light” offers the hopeful look of how a few notes can rewrite the melody of a person’s life. In 1987, Javed (Viveik Kalra) is adjusting to his family’s move from Pakistan to England. The new home is supposed to be a place of great opportunit­y, but economic troubles and the hatred from the locals makes life painful. The woes are magnified for Javed as he’s also finding his own identity while growing up with his father’s tight restrictio­ns. Relief comes for Javed when he’s given the music of Bruce Springstee­n. As he listens to each tune, Javed realizes the back catalogue is a poetic manifesto for how he can change his life. He hears a message of hope aimed at the working class in songs like “Born to Run” and “Dancing in the Dark.” Inspired by the music, Javed’s life begins to change, with a little help from one of his teachers (played by an underused Hayley Atwell) who sees great writing promise in her student. The story by Sarfraz Manzoor, Paul Mayeda Berges and director Gurinder Chadha does dip into cheesy moments, but the overall product finds its strength in examining race relations, family drama and the power of music. The film gets a dramatic anchor from the story being based loosely on the life of journalist Manzoor. The two most powerful storylines are the mistreatme­nt of immigrants and how Javed copes, plus the father-son confrontat­ions triggered by traditions. It’s tough enough being a teenager, but the film shows more layers when his father (Kulvinder Ghir) wants a new life for his family but won’t give up his old ways. Chadha (“Bend It Like Beckham”) delivers both with insight that comes from a Kenyan-born South Asian background and growing up in London with a passion for Springstee­n’s music. Other than a few blips, “Blinded by the Light”

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