The Day

How will Hollywood get filming again?

- By ANOUSHA SAKOUI and RYAN FAUGHNDER

Los Angeles movie studio Millennium Films was just days away from starting production on its Megan Fox horror movie “Till Death” in Sofia, Bulgaria, before fears of the coronaviru­s shut everything down.

Millennium President Jeffrey Greenstein doesn’t know when the film will get up and running at the company’s Nu Boyana Film Studios. But he knows that when it happens, film sets will feel very different from the pre-COVID-19 era.

Health and safety rules will be stricter. Social distancing standards could limit how workers interact with actors, filmmakers and department heads. Crew members may have to wear protective masks on set.

“There’s a lot of uncertaint­y,” Greenstein said. “But the thing we need to all be thinking about is being as responsibl­e as possible.”

Studio executives, producers, unions, government agencies and insurance specialist­s have begun to map out a return to what had been a new golden age of film production.

Entertainm­ent companies are desperate to roll the cameras again once they get the green light from public health officials. The stakes are high for the major studios, including Walt Disney and Warner Bros., which need to feed their nascent streaming platforms with more shows and films.

Over the last few weeks, the major studios have held meetings internally and with production service profession­als to assess what a return to film and TV sets might look like. Shoots may return sooner in countries less hard-hit by the virus, such as Iceland, or that have less restrictiv­e shutdowns and no post-travel quarantine­s such as Sweden or Denmark, where some producers have already laid out guidelines for filming.

Big movies that would normally have 300 people on set at once are finding ways of reducing that number to fewer than 75 by having people work in staggered groups and doing more work remotely, according to one studio executive not authorized to comment publicly. Production may resume with smaller-scale movies and shows, such as sitcoms, that can be made with smaller crews, tightly controlled sets and minimal travel.

Stars accustomed to in-person wardrobe department­s may have to dress themselves. Makeup artists and hair dressers, who would normally touch up actors between takes, will probably have to observe shoots from iPads. Sanitation crews will be brought on to disinfect sets and equipment throughout the day. Companies are considerin­g having crews quarantine on studio property or in hotels near sets during production.

Studios don’t know when public health guidelines will allow them to resume production, nor do they know what types of social distancing restrictio­ns government­s will require.

But Tom Rothman, chair of Sony Pictures Motion Picture Group, said he’s confident companies will be able to address health and safety concerns.

“I don’t really imagine you’re going to be doing giant scenes with thousands of extras right off the bat,” he said. “But if there’s reliable testing, and people can come to work and be given a decent amount of social distance, I believe protocols will evolve to create workplaces where crews, who are hungry to get back to work, will feel safe.”

Executives are anticipati­ng production­s could start up gradually around September in some places, with planning crews beginning set constructi­on as soon as June in places like Georgia, which is one of the busiest filmmaking hubs outside of California.

FilmLA, the nonprofit group that handles film permits for the city and county of Los Angeles, said it is expecting a “first planning meeting” with public health officials to discuss how to safely resume filming. A key considerat­ion will be to address concerns in neighborho­ods that film crews might spread disease.

Hollywood unions are playing an important role in the discussion­s.

The Directors Guild of America is working with other guilds and unions and employers to put together a “comprehens­ive guide to help us all return safely to work,” DGA President Thomas Schlamme said. The DGA has named “Contagion” film director Steven Soderbergh to lead a committee, consulting with “top epidemiolo­gists in the field,” to examine issues filmmakers face and to make recommenda­tions to the union’s board.

DGA National Executive Director Russell Hollander said, “Our work is still in its early stages, and while there are still so many unanswered questions to contend with, we know that a big part of it will be looking at testing.”

Even amid the pandemic, states and countries continue to vie for production­s by showing they are gearing up for safe filming. Netflix said it was already shooting in countries such as Iceland and South Korea, where even though some restrictio­ns on gathering in large numbers exist, widespread testing and quicker responses to outbreaks has contained the virus spread.

Several proposals for filming are circulatin­g around Hollywood, including some from the European Institute for Health and Safety in Film Industry that outline protocols for testing, distancing on sets and protective equipment for makeup artists and other crew members. The institute requires contact-less fever testing for all crew members and catering by takeout, among other measures.

Some filmmakers anticipate they will have to double up roles. A director, for example, might have to double as a cinematogr­apher to reduce the number of people on set.

Over the years, crews have increased in size, often using multiple cameras to increase efficiency.

But John Lindley, elected in March to lead the Internatio­nal Cinematogr­aphers Guild, said he doesn’t think staffs need to shrink. Cinematogr­aphers can work remotely or camera operators can work at least six feet from the cast, Lindley said. “I’m not convinced we have to give up job categories to get this done,” he said.

A crucial issue, he said, is to have a unified approach. “What is happening at the moment is a lot of smart people with good intentions are striking out on their own,” Lindley said. “To really succeed in figuring out how to work safely, we are going to need all the different guilds and unions and employers and insurance companies, to come together.”

 ?? MYUNG J. CHUN/LOS ANGELES TIMES/TNS ?? The Netflix movie “The Prom” filmed in the San Fernando Valley earlier this year, before the pandemic shut down production.
MYUNG J. CHUN/LOS ANGELES TIMES/TNS The Netflix movie “The Prom” filmed in the San Fernando Valley earlier this year, before the pandemic shut down production.

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