The Day

This voice actor probably ruled your childhood

- By TIM GREIVING

As a little boy, Frank Welker was blessed with the “strange, innate ability” to mimic the sound and speech of animals. Jockeying for attention at the family breakfast table, he would offer up dead-on impression­s of the sparrows chirping on the front lawn.

“I was the youngest in the family,” Welker said. “I found that by acting peculiar I could get my piece of the attention.”

He got it, all right, and spun it into career gold. A successful voice actor since the 1960s, Welker has cornered the market on all creatures great and small. Now, at 74, he has one of his first “starring” roles in a major motion picture — as the voice of Scooby-Doo in the animated

“Scoob,” which is available via video-on-demand.

An invisible but indispensa­ble presence, Welker has more credits (roughly 850) than any movie star, and a cumulative box office that puts them all to shame. He’s played gremlins in “Gremlins”; Spike the dinosaur in “The Land Before Time”; Max the dog in “The Little Mermaid”; a sentient footstool in “Beauty and the Beast”; Santa’s Little

Helper in “The Simpsons”; and — in “Aladdin” alone — Abu the monkey, Rajah the tiger and the growling Cave of Wonders.

He portrayed “the biggest thing in the movie and, in some ways, the smallest thing in the movie,” said “Aladdin” co-director John Musker, “and both equally compelling. That’s what Frank could do.”

If it roars, squawks, barks or screams, Welker’s your guy. He’s known as “the king” and “the godfather” among his fellow voice actors, said Tress MacNeille, the voice of characters such as Babs Bunny in “Tiny Toon Adventures” and Agnes Skinner on “The Simpsons.”

“He was the sophomore in college when we were the freshmen in high school,” said MacNeille, who has been working with Welker since 1981. “I always made sure that I sat right next to Frank in the studio. You could just learn vocal tricks and stylizatio­n tricks, and of course you would listen to his impression­s and that would inform your own. He was a great teacher.”

When the casting director for “Futurama” was looking for someone to voice Nibbler, an adorably ravenous, threeeyed alien, MacNeille piped up: “Oh, that’s Frank’s job.”

“That’s kind of an expression that we use,” she said, “when there’s something that’s thrown at us and we can’t do it — a sound effect or a certain impression or something really special — we say, ‘Oh, that’s Frank’s job.’”

Maybe that’s because “nobody else wanted to do it,” Welker laughed. “A lot of it was pretty painful, and I had like a military-grade voice, you know — a leather throat.”

Welker leveraged his uncanny gift for vocal imitation — including of celebritie­s, but mostly critters — to impress family and school friends, and eventually an audience.

After moving to California in 1966, where he dove headlong into the theater department at Santa Monica College, he acted in stage adaptation­s of fairy tales (alongside future animation tycoon Don Bluth), got an agent and landed a detergent commercial. He hasn’t stopped working since.

Initially, Welker divided his pursuits between onstage comedy and on-camera roles — he shared the screen with Elvis Presley in “The Trouble With Girls” and starred with Richard Dreyfuss in an unsold pilot based on “Catch-22.” He gave up the notion of being a serious actor quickly, though, after his audition for a TV Western — a death scene — drew giggling laughter.

In comedy clubs, he was billed as an “impression­ist” and even a “verbal clown,” his act involving a menagerie of dogs, cats and geese.

“I had like 20 minutes of questionab­le comedy — not in the dirty sense,” he said, “but just in whether it was funny or not.”

Part of his voice-over career has been dubbing lines for famous actors. His first big gig was providing Rex Harrison’s animal communicat­ion in the original “Doctor Dolittle.” He screamed the screams for a rapidly aging Spock (Leonard Nimoy) in “Star Trek III: The Search for Spock” and subbed in for George C. Scott singing “Home on the Range” in “The Rescuers Down Under.”

In the hall of fame of famous animals, he’s played Smokey Bear, Garfield, Kermit the Frog — oh, and he’s Curious George.

It all started in 1969, when Welker’s barnyard of voices landed him a dog food commercial, which got him into an audition for a new Hanna-Barbera show about a food-crazed dog named Scooby-Doo. Welker was eventually cast — but as the teenage straight man Fred Jones. Starting out with the voice actor Don Messick as Scooby and Casey Kasem as Shaggy, Welker has been a key member of Mystery, Inc. for more than 50 years. After Messick died in 1997, Welker eventually took over the iconic role of the talking, charming, often petrified canine.

Even though the cast of “Scooby-Doo” all had fun doing impression­s of one another, Welker was initially uncomforta­ble with stepping into his friend’s shoes. But he took up the mantle in 2002, thinking “maybe that could feel as though I could do a tribute to Don — and the fans. We were all part of this same family, the Scooby family.”

 ?? TGMD TALENT ?? Frank Welker
TGMD TALENT Frank Welker

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