The Day

Dervla Murphy, 90, intrepid author of travel books

A literary life spent roughing it in order to see the world

- By JORI FRANKEL

Dervla Murphy, an Irish travel writer who began her prodigious career with an epic solo bicycle journey in 1963 across Europe to India and went on to explore vast stretches of the developing world by foot — defying social expectatio­ns of women along the way — died on May 22 in her home in Lismore, Ireland. She was 90.

Her London publisher Eland Books announced the death. She had recently suffered a series of strokes.

Decades before Cheryl Strayed hiked the Pacific Crest Trail with little preparatio­n and turned it into her best-selling memoir “Wild,” Murphy inspired generation­s of readers by embarking on one trip after another with minimal equipment but an abundance of grit.

For Murphy, her serious traveling started in her 30s after many years of caring for her disabled mother. Later, as a single mother, she supported herself and her daughter on her travel writing. She published a total of 26 books.

“She provided a role model for independen­ce, for freedom of spirit, for a whole generation of women when there was no one else like that in Ireland,” said fellow travel writer Manchán Magan in the 2016 documentar­y film “Who Is Dervla Murphy?”

Most active from the 1960s to the 1990s, Murphy was drawn to parts of the world nearly untouched by industrial­ization, urbanizati­on and consumer culture, where people lived without access to modern plumbing or electricit­y, not to mention the satellite television­s and cellphones to come.

At home in Lismore, where she lived in a warren of old stone rooms without central heat, she never learned to drive a car or use a computer. She avoided small talk and regularly declined book tours and interviews. “Interviewi­ng Dervla is like trying to open an oyster with a wet bus ticket,” Jock Murray, her first publisher, once said.

Forget the comforts

She gave up basic comforts when she traveled, often sleeping in a tent and using latrines, and acknowledg­ed being “impervious” to discomfort. “It literally doesn’t matter to me whether I’m sleeping on the floor or on a mattress,” she said in the documentar­y. “I simply don’t notice the difference. And that really is a big plus when you’re traveling.”

She also insisted that it was not accurate to call her brave. “You’re only courageous if you do something you’re afraid of doing. I’m fearless when it comes to the physical, and that’s a totally different thing,” she said.

Her debut book, “Full Tilt” (1965), was billed as a journey “from Ireland to India” but was more accurately the story of a trip from Dunkirk, France, to Delhi. She conceived of the journey after receiving a bicycle and an atlas for her 10th birthday but kept her plan to herself, she wrote, “avoiding the tolerant amusement it would have provoked among my elders. I did not want to be soothingly assured that this was a passing whim because I was quite confident that one day I would cycle to India.”

She began the self-funded journey some two decades later, on Jan. 14, 1963, on “Roz,” a 37-pound man’s bike stripped of its three-speed derailleur and loaded with basic supplies, including blank notebooks and a compass. When she reached Delhi after six months, she had written thousands of words and pedaled for some 3,000 miles. Her total expenses amounted to 64 pounds.

Starting off in a blizzard

Her journey began in the middle of a blizzard — which would go down in British history as the Big Freeze of 1963 — as she cycled despite frostbite along icy roads. Gales on the roads in Slovenia were strong enough to knock her off her bike and, when the snow began to melt, the raging Morava River separated her from Roz.

She faced down other dangers: wolves that nipped at her in Bulgaria, a Serbian man who entered her bedroom at night uninvited, and three men carrying spades along a road near Tabriz, Iran, who tried to steal Roz. In each case, she used the .25 pistol she brought for the trip to protect herself, killing a wolf with a bullet through the skull and firing warning shots to scare away the men.

Her adventure took her through small villages, and she dedicated “Full Tilt” to her “hosts” in Afghanista­n and Pakistan, who often greeted her with warmth and food despite their befuddleme­nt over a woman undertakin­g such a trek. She did not know their languages but took time to learn about their customs, religions and government­s. She also sold her pistol in Afghanista­n, “becoming an arms dealer,” she joked in the documentar­y, and after that carried a knife instead of a gun, which she feared would escalate violence.

Her following books, set in Tibet, Nepal, India, Ethiopia, Madagascar and Peru, blended food reviewing, political and religious reporting, and poetic musings of the Romantic-sublime variety, for example when the thrust of a mountain peak or stillness of a glacial lake overcame her. But the writing never veered far from her main subject: everyday encounters with the landscape and its inhabitant­s, from rowdy children to pompous local officials to semi-domesticat­ed animals.

Most active from the 1960s to the 1990s, Murphy was drawn to parts of the world nearly untouched by industrial­ization, urbanizati­on and consumer culture, where people lived without access to modern plumbing or electricit­y, not to mention the satellite television­s and cellphones to come.

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