The Denver Post

theater: “Shrew” gets gender flip for a new look

- By Joanne Ostrow Denver Post Theater Critic Joanne Ostrow: 303- 954- 1830, jostrow@ denverpost. com or @ ostrowdp

Shakespear­e’s problemati­c “The Taming of the Shrew” has been deconstruc­ted and rearranged through the years by scholars as well as artists trying to come to terms with the most sexist play in the canon. The latest revamp— by Denver’s newest theater company, Lost and Found Production­s, in the group’s first effort— features reversed genders. It may be more intriguing the better you know the original.

This feminist reading of “Shrew,” set in the 1960s with contempora­ry asides and thoroughly modern instincts, runs through Sunday at the Bug Theatre. Think of it as “KissMe, Nate.” Yelps, high- fives, OMGs and eye- rolls give the project an update ( sometimes more contempora­ry than ’ 60s- era mod) surroundin­g the Shakespear­ian dialogue. When it’s working, the tone is reminiscen­t of a colorful Baz Luhrmann film adaptation, a goofy mashup of modern sensibilit­y and the Bard’s text. Women play the men’s roles and vice versa, illuminati­ng the inequities. Petruchia intends to “curb the mad and headstrong humour” of Nathan. And on it goes, the conceit at times wearing thin.

Luckily, the impressive sly comedic chops of Allison Learned as Petruchia carry the evening.

Transporti­ng the tale to the ’ 60s seems an arbitrary choice ( a reference to women’s lib, according to program notes) but allows for fun costuming with white patent- leather boots, a medley of orange polyesters, paisleys and such. Imagine a tangerine dream as an antidote to misogyny. The wardrobes brighten the whole endeavor.

The role reversals — a female Petruchia bends the wild and stubborn Nate to her will while his brother Bianco is wooed by two female suitors— underscore the patriarcha­l assumption­s of the original play.

The verbal sparring and sexual puns of the original are accented by the ongoing chaos and physical zaniness in this version directed by Deb Flomberg.

An awkward set design requires cast members to negotiate an effortful step up and down across the middle of the stage. Careful in those platform shoes! It was a distractio­n, but, glad to report, nobody tripped.

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 ?? Christine Fisk, provided by Lost and Found Production­s ?? Karin Carr, left, and Allison Learned star in “The Taming of the Shrew” at The Bug Theatre.
Christine Fisk, provided by Lost and Found Production­s Karin Carr, left, and Allison Learned star in “The Taming of the Shrew” at The Bug Theatre.

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