JIM CROW RELICS SPUR DEBATE
Change in the South has caused preservationists to question whether the painful reminders of an ugly segregated past should be kept or discarded.
Growing up in the 1950s, William Bell had to enter Birmingham’s segregated Lyric Theatre through a side entrance, marked “COLORED” that was walled- o≠ from the elegant lobby. He climbed a dimly lit stairwell to watch movies from the steep balcony where black patrons had to sit for generations.
Now the mayor of Birmingham, Bell recalls the Lyric’s beauty but also the way it isolated black people.
The inequality built into The Lyric Theatre’s very architecture is a painful reminder of the city’s ugly past as one of the most segregated places in America. But it also serves as a living history lesson, a symbol of how the Deep South has changed since the courts ended discriminatory Jim Crow laws.
Preservationists had to decide whether to keep reminders of The Lyric’s discarded color line before they unveiled an $ 11 million restoration of the 102- year- old theater, which had been closed for decades. In this case, they chose to highlight the history, installing a glass door etched with the words “Historic Colored Entrance” in the lobby wall, so that patrons can peer into the past.
Across the South, people are struggling with similar questions: What does a changing region do with the vestiges of back- alley service windows, segregated waiting rooms, dual water fountains and abandoned schools that once formed the skeleton of a society built on oppression?
Northern states have such reminders, too. Ablack heritage trail in Portsmouth, N. H., includes all- black burial grounds and a plaque explaining that blacks had to sit in designated pews in New England churches through the mid- 1800s. In Detroit, murals decorate a 6- foot- tall concrete wall built in 1941 to separate a new development meant for whites from an existing black neighborhood.
But the issue has become particularly acute in the South, where millions still remember living through segregation. More so than in the past, many
older people and younger generations feel a need now to discuss the legacy of Jim Crow, said Robert Weyeneth, a University of South Carolina history professor who specializes in preservation.
“It has become more complicated today because people are more willing to think about the preservation of the architecture of white supremacy,” Weyeneth said. “Initially, no one wanted to save these things.”
Some other places where communities have had to come to terms with the physical reminders of segregation:
Oakland Cemetery
Atlanta Oakland Cemetery, with 70,000 graves dating to 1850, shows that segregationwas meant to last eternally in the Jim Crow South, and operators don’t shy away from its history.
The city- owned cemetery was divided by race for generations until the City Council ended the practice in 1963. Today, some black people are buried in previously allwhite sections, including Atlanta’s first black mayor, Maynard Jackson, who died in 2003 and lies in an ivy- covered grave.
Explaining this segregated past is part of the educational mission at Oakland, said executive director David Moore. A brochure, guided tours and audio exhibits explain the cemetery’s black section, which holds about 12,000 graves, and signs denote the black section, a Jewish section and amixedrace “Potter’s Field” for indigent burials.
A recent visitor complained that the story of slave burials and segregationwas sad and shouldn’t be discussed. Moore disagrees. “Cemeteries provide a great place for people to look and try to figure out what happened before,” he said.
Montpelier Train Depot
Orange, Va. Built in 1910, when laws prevented whites and blacks from mingling in many public spaces across the South, the Montpelier Train Depot was constructed with separate waiting rooms for whites and blacks. Preservationists at President James Madison’s Montpelier estate, where the whiteandyellowdepot is located, decided to keep the rooms as they were during a 2010 renovation.
The depot remains an active post office, and some favored taking down the “WHITE” and “COLORED” signs that hang over the waiting room entrances. Instead, the depot has been equipped with exhibits that explain the legal history of “separate but equal” laws and their effects on black residents during the Jim Crow era.
Itmakes some people uncomfortable to be reminded of segregation at the Lyric, but the mayor believes people must see history as it reallywas, even if thatmeans glancing up at the segregated balcony where he sat as a young boy. The ornate theaterwas beautiful, he recalls, but blacks up there could never mingle with thewhite patrons far below.
“The best seats were on the front row of the balcony because you could flick popcorn or peanuts down and it would land in their hair,” said Bell, now66, grinning at the memory.
“We should not shield ourselves fromour past,” he added.
Jones County Courthouse
Ellisville, Miss. The metal plaques attached to two concrete water fountains outside the courthouse hide an ugly truth: one fountain was exclusively for whites, and the other for blacks.
The National Association for the Advancement of Colored People sought the removal of the dual fountains in 1989, calling them a painful reminder of segregation, but the white- controlled board of supervisors refused. Instead, officials plastered over the “COLORED” and “WHITE” inscriptions, which reappeared once rain washed away the plaster.
County leaders then decided to cover the old racial inscriptions with plaques denoting the year the courthousewas built, 1908. Today, the twin water fountains still flank the courthouse stairs. Nearby on the lawn stands a monument to Confederate veterans.
Butler Beach
St. Augustine, Fla. There’s little to let visitors know that Frank B. Butler County Park was once a thriving resort for blacks just south of segregated St. Augustine Beach.
The park’s website tells the story of Butler, a black businessman who saw the opportunity for a black beach in the segregated South during the first half of the 1900s. The Atlantic Coast resort he created grewto include bathhouses, a casino, pavilions and a motel for blacks, who weren’t allowed at white- only beaches in the South.
Those structures disappeared generations ago, and black historian Bernadette Reeves laments the lack of markers at the site on scenic state road A1A to explain its significance.
“Can you imagine that the whole Atlantic Ocean wasn’t big enough for whites and blacks to swim together?” she said.