The Denver Post

Spectacle, solemnity meet in “Deepwater”

- By Ann Hornaday

Drama. PG-13. 107 minutes.

The explosion of the enormous floating rig Deepwater Horizon and the ensuing oil spill into the Gulf of Mexico is well known as the worst environmen­tal disaster in U.S. history. A buried truth within that statistic is that 11 workers lost their lives in April 2010, when pressure built up in a pipeline submerged a mile underwater, resulting in a massive blowout and fire.

“Deepwater Horizon” revisits that tragedy, reconstitu­ting it as both a rousing action movie and a somber memorial to the dead. Directed by Peter Berg and starring Mark Wahlberg, this harrowing, gripping film in many ways resembles their last outing together, “Lone Survivor.” Like that tale of military survival and selfsacrif­ice, “Deepwater Horizon” is an homage to strength and get-on-with-it competence, a stirring portrait of brawn and know-how that are continuall­y undermined by the preening ambitions of clueless elites.

In “Deepwater Horizon,” those arrogant know-nothings are the British Petroleum managers who are portrayed as rushing to exploit the potentiall­y unstable Macondo Prospect, despite being known as “the well from hell” to the Horizon crew. John Malkovich plays BP engineer Donald Vidrine as part company man, part Cajun swamp fox, eager to get the already delayed operation underway despite warnings from Horizon crew chief Jimmy Harrell (Kurt Russell) and electronic­s expert Mike Williams (Wahlberg).

That setup might be simplistic — news reports suggested that Transocean, the company that operated the rig, routinely bypassed the safety systems and maintenanc­e inspection­s — but it suits a movie that is less interested in slicing and dicing corporate accountabi­lity than in humanizing a story that has either been forgotten or was never fully understood in the first place.

Our guide through that tale is Williams, a U.S. Marine who seems singularly suited to the role of movie hero. As “Deepwater Horizon” opens, Mike and his wife Felicia (Kate Hudson) watch as their young daughter prepares a show-and-tell demonstrat­ion of how oil rigs work, using a shakenup can of soda, some honey and a hollow metal cylinder. The scene is a helpful tutorial for viewers, who for the next hour will be barraged with technical jargon, quick roughneck banter and underwater shots of ominousloo­king bubbles and groaning metal.

Newspapers in English

Newspapers from United States