The Denver Post

Public TV faces hollow anniversar­y

- By Lynn Elber

los angeles» The federal act that created public broadcasti­ng is marking its 50th year, but if President Donald Trump has his way, it could be a hollow celebratio­n.

Trump’s 2018 budget proposal makes him the second president to try to kill funding for the Corporatio­n for Public Broadcasti­ng (CPB) and the first to target the National Endowment for the Arts and the National Endowment for the Humanities as well.

The White House plan released Thursday, which emphasizes military and other security-related spending and slashes many domestic programs, is the first step in a lengthy budget process that ultimately requires Congressio­nal approval.

The three agencies combined receive about $740 million annually in tax dollars. It’s a sliver of the current $4 trillion federal budget but carries outsized importance in political symbolism and, both supporters and detractors say, economic impact.

Reaction was swift from the agencies and the art and entertainm­ent world. Alarm was the common thread.

“We’re celebratin­g the 50th anniversar­y of the Public Broadcasti­ng Act, what I think has been the most successful public-private partnershi­p — how ironic it would be if we were defunded this year,” said Paula Kerger, chief executive for PBS. The nonprofit group’s yearly CPB grant pays for programs that are distribute­d to member stations.

The proposal is “counter to the message that American art can reflect society, it can advance society, it can inspire society,” said Gina Prince-Bythewood, director of movies including “Beyond the Lights” and cocreator of Fox TV’s new drama, “Shots Fired.”

“It’s horrifying to think that can go away, and I have to stay optimistic and believe that (the cuts) won’t go through,” she said.

Kate Shindle, president of the 51,000-strong Actors’ Equity Associatio­n that represents stage actors and stage managers, said the NEA’s $148 million reaps a “return on investment” for both the culture and the economy.

“The arts are not a frill, a luxury, or some kind of extended vanity project,” she said. “The arts are a part of who we are as a nation, and the arts put our nation to work. Millions of people have jobs based on spinoff effects in hotels, restaurant­s, retail stores, and other business that benefit from spending on the arts.”

William D. Adams, chairman of the NEH, said the agency was “saddened” by Trump’s move and noted the agency’s five-decade funding of books, film, museum exhibits and other projects that have “inspired and supported what is best for America.”

Trump’s budget plan makes no specific argument for eliminatin­g the agencies, although the proposal follows a paragraph describing the intent to “redefine the proper role” of the federal government.

But the conservati­ve Heritage Foundation has been a vocal advocate of such cuts for decades and is again in its “A Blueprint for Balance: A Federal Budget for 2017.” Paul Winfree, who was lead editor on the document, has since joined the White House as director of budget policy.

“We fundamenta­lly believe the arts are able to flourish independen­tly of the federal government,” said Romina Boccia, the foundation’s deputy director.

But it’s public broadcasti­ng that’s been the recurring target for conservati­ve lawmakers.

Many Republican­s vowed to eliminate its subsidies in 1995, but the effort fizzled. In 2005, Republican­s controllin­g the House tried to cut subsidies for PBS, National Public Radio and hundreds of public radio and TV stations by $100 million, igniting an outcry from fans of “Sesame Street” and other defenders of public broadcasti­ng.

That bid failed.

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