The Denver Post

Oscars of Comics 10 graphic books that deserve kudos

- By Michael Cavna the North,” Dispatches From Turkey, Syria, and Iraq,” Peanuts: Vol. 25 (1999 to 2000)”; collected strips of

A new comics-awards season is upon us. Friday was the submission and nomination deadline for the Eisners (aka “the Oscars of comics”).

We are hoping voters considered this handful of eligible graphic novels and other sequential-art books from last year — some of which might have been overlooked in the shadow of top superhero books and blue-ribbon powerhouse­s like “March: Book Three.”

1. “Mooncop,” by Tom Gauld

Restraint is everything in this British cartoonist’s dryly spellbindi­ng tale of a space officer who can’t get home. The monochroma­tic tones and deadpan language blend brilliantl­y for maximum impact when the jokes land.

2. “Angel Catbird (Vol. 1),” by Margaret Atwood and Johnny Christmas

The acclaimed novelist brilliantl­y turns to one of her first literary loves — comics — with her titular sci-fi superhero: a man who gains large wings and feline instincts. The scenes are engaging, the language is playful and the references read like a well-steeped ode to adventure comics.

3. “Patience,” by Daniel Clowes

Clowes examines familiar terrain — particular­ly when reflecting on inadequaci­es as husband and parent — but places these issues within a surreal, sci-fi time capsule of a story, as a man traverses the years to try to stop his wife’s killer. Is everlastin­g love durable enough to survive psychedeli­c time travel? Clowes’s hero is not without hope.

4. “Rosalie Lightning,” by Tom Hart

This is a parent’s memoir at its most poignant and heartbreak­ing. If this masterwork does not move you, then you’re all but stone. When a father gazes at his lost child’s drawings, the story becomes a profoundly raw refraction of emotional art.

5. “Nicolas,” by Pascal Girard

Is it possible for the grief memoir to feel oddly leavened by the art? This Canadian cartoonist brilliantl­y boils down sibling loss to deceptivel­y poignant line drawings that are as playful as childhood — but their cumulative force is strong. And then the afterword – rendered with a Roz Chast-like looseness — has the honest depth of a diary. 6. “How to Survive in

by Luke Healy Healy is a master of stitching together narrative threads like a double helix of twinned realities. “North” blends real-life Arctic journeys with modern midlife perils. The warm- and cool-colored palettes draw us in to these hypnotical­ly gridded pages, till we’re plunged deep into the sense of emotional chilliness, hoping for a honest thaw.

7. “The Best American Comics 2016,” edited by Roz Chast and Bill Kartalopou­los

Recommendi­ng a “best of ” book can seem similar to how awards shows themselves get nominated for awards (hello, Emmys). But the curatorial eclecticis­m here is worth celebratin­g, ranging from Lynda Barry’s funky “confession­al” tales to Richard McGuire’s painting-like panels.

8. “Rolling Blackouts: by Sarah Glidden In the spirit of comicsjour­nalism great Joe Sacco, Sarah Glidden travels to hot spots to document — through pen and watercolor brush – how battles affect the civilians who aim to stay and endure. With a keen ear, Glidden bears witness.

9. “Epic Big Nate,” by Lincoln Peirce

What’s even better than a big ol’ collection of “Big Nate” comics? Why, a thoughtful silver-anniversar­y treasury that includes Lincoln Peirce’s own witty and insightful asides in the margins. This book helps chart the careful evolution of the popular strip.

10. “The Complete Charles M. Schulz (introducti­on by President Barack Obama)

This Fantagraph­ics undertakin­g represents a deeply worthy mission — gathering all the “Peanuts” strips in one hard-bound series for the first time — and this look at Schulz’s last years is a necessary prism for appreciati­ng the feature’s finish anew.

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“The Complete Peanuts: Vol. 25 (1999 to 2000).”
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