Dec­o­ra­tors em­brace big, bold wall art

The Denver Post - - FEATURES - By Kim Cook Peter Rymwid, Pro­vided by Di­neen Ar­chi­tec­ture + De­sign Lau­ren Sil­ber­man, Pro­vided by Drake/An­der­son Peter Rymwid, Pro­vided by Di­neen Ar­chi­tec­ture + De­sign

The As­so­ci­ated Press

Not long ago, the only homes in which you’d see big, bold art hang­ing on the walls tended to be those of se­ri­ous col­lec­tors. For ev­ery­one else, fill­ing up a blank space meant go­ing with some­thing at­trac­tively in­nocu­ous that didn’t jan­gle with the sofa color.

But some­thing ex­cit­ing is hap­pen­ing — we’re los­ing our trep­i­da­tion over hang­ing larger wall art with more im­pact.

“Per­sonal plat­forms like In­sta­gram and Pin­ter­est, and on­line fo­rums like Core77 and Dezeen have made it re­ally easy for peo­ple to find and share pic­tures of things they love,” says Alyson Liss-Pobiner of the New York firm Di­neen Ar­chi­tec­ture + De­sign.

“I re­ally love us­ing In­sta­gram to share our own work, and im­ages that we find beau­ti­ful, in­ter­est­ing and in­spir­ing,” she says. “As a re­sult, im­ages of de­signer projects have be­come much more ac­ces­si­ble and reach much larger au­di­ences.”

Caleb An­der­son, prin­ci­pal at Drake An­der­son In­te­ri­ors in New York, says a room doesn’t look fin­ished with­out art.

“Art­work es­tab­lishes mood, de­fines per­son­al­ity and im­pacts emo­tion,” he says. It can con­nect fur­nish­ings and ar­chi­tec­ture, and draw peo­ple into a space.

“Over­size pieces work par­tic­u­larly well above a sofa or bed,” he says. “Large art makes an im­pact­ful state­ment in an en­try or at the end of a long cor­ri­dor, mak­ing the oth­er­wise void hall an in­ter­est­ing des­ti­na­tion of its own.”

Large-for­mat work can cre­ate fo­cus points through­out a home, mak­ing an im­pres­sion “with­out cre­at­ing a lot of vis­ual noise,” Liss-Pobiner says.

When you’re po­si­tion­ing large art, she says, don’t be afraid to try some­thing dif­fer­ent.

“In our room at Kips Bay Dec­o­ra­tor’s Show­house this year, we cen­tered the bed on one wall with a large sofa on the op­po­site wall,” she says. They then placed a large blue con- cave mir­ror from Bernd Goeck­ler An­tiques above the sofa, but slightly to one side.

“The con­ven­tion is to cen­ter the wall art above the fur­ni­ture, but by ‘free­ing up’ that wall with an asym­met­ri­cal com­po­si­tion, we were able to keep eye mov­ing around the room,” she says.

An­der­son has some source sug­ges­tions, too, in­clud­ing the Loretta Howard Gallery in Man­hat­tan.

“They rep­re­sent artists from some of my fa­vorite move­ments and of­ten in dra­matic scale. I’m drawn to ab­stract ex­pres­sion­ism, op art, min­i­mal­ism and color field move­ments,” he says. He also rec­om­mends New York gallery Danese/ Corey for its large-scale paint­ings by artists of note, like

Larry Poons and Con­nie Fox, and sug­gests 3-D comthe po­si­tions by artists such as Jeff Zim­mer­man, Matthew Solomon and Ola­fur Elias­son as al­ter­na­tives to con­ven­tional paint­ings on can­vas.

For bud­get-friendly pieces, An­der­son rec­om­mends Saatchi Art, Twyla, ArtS­tar and @60.

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