Some famous authors recommend books that bring them comfort
Authors are just like the rest of us — they like to soothe their anxieties by losing themselves in the pages of a beloved book. Here are some of the ones they turn to when times get tough.
Celeste Ng: “The Princess Bride,” by William Goldman. In 1987, my sister was halfway through reading me “The Princess Bride” when she went off to college. The day she left, I cried myself to sleep — and then, after I got my bearings again, I read the rest of the book on my own. So this has always been a comfort read for me: a fairy tale that acknowledges that life isn’t fair (“It’s just fairer than death, that’s all”) yet still manages to make you feel that the good guys might win, that justice will be served, that there’s a point to it all. If you only know the (fantastic) film, pick the book up, too — it’s just as much of a delight. —
Celeste Ng’s most recent book is “Little Fires Everywhere.”
Elizabeth Gilbert: “The Summer Book,” by Tove Jansson. This slim, magical, life-affirming novel tells the story of a young girl and her grandmother, who spend their summer together on a small, isolated island in the Gulf of Finland. Absent of sentimentality, full of love and humor and wisdom, this is a tale about how much fun two people can have in the middle of nowhere, when they are practicing social isolation in earnest. — Elizabeth Gilbert’s latest novel is “City of Girls.”
Kiley Reid: “‘Bird by Bird,” by Anne Lamott. This is a book about writing, but truly, “Bird By Bird” is about taking your time. It’s funny and honest and comforting, and it’s a wonderful reminder of the glory in terrible first efforts, and the beauty that comes in taking it day by day.—
Kiley Reid’s debut novel, “Such a Fun Age,” was published earlier this year.
Lily King: “I Capture the Castle,” by Dodie Smith. It turns out my literary comforts have mostly been brought to me by British women.
When I was younger I always read “Pride and Prejudice” after a heartbreak, but I think it’s an allpurpose comfort novel, with so much humor and love of all kinds. I adore “Sense and Sensibility” just as much, and for the same reasons.
“I Capture the Castle,” by Dodie Smith, is pure delight, and also a bit of a quarantine book, with two sisters isolated in a small rundown castle in the 1930s with their blocked-writer father and loony stepmother — until two eligible young men come to visit their country house down the road. “Major Pettigrew’s Last Stand,” by Helen Simonson, is another deep plea
sure read set in modern-day England, with occasional nods to Austen and Forster but very much its own delightful story. Speaking of Forster: “A Room with A View.” Of course. Italy, violets, the mackintosh squares. And I loved Ali Smith’s “Autumn,” a stunning and wrenching celebration of deep and lasting human connection. For warmth and laughs and brilliant observations in nonfiction, you have to read “Love, Nina,” a collection of Nina Stibbe’s real letters over a five-year period in the ’80s when she left rural Leicestershire to work as a nanny for a literary editor in London. It’s laugh-out-loud funny, and would actually be great read aloud. —
Lily King’s latest book is “Writers & Lovers.”
Ruth Ware: “‘Love in a Cold Climate,” by Nancy Mitford. For me, comfort reading is as often comfort listening — because it’s so often in the silence of a long car journey or a solo walk that your thoughts start spiraling. Agatha Christie for the reassurance that even murder can be fixed. Patrick O’brian for putting petty, modern gripes into historical perspective. But for sheer comfort reading it has to be Nancy Mitford — who laughed and wept her way through love, loss, crippling bereavement and two world wars. When “Love in a Cold Climate” fails to make me laugh and cry, the end really will be nigh. — Ruth Ware’s most recent novel is “The Turn of the Key.”
Bryan Stevenson: “The Warmth of Other Suns,” by Isabel Wilkerson. In “The Warmth of Other Suns,” racial terror and violence are overcome with determination, faith, courage and the kind of resolve that some of
us have been privileged to experience in our elders and the generation who came before us. The generation who did so much more with so much less have something to teach us about managing a pandemic. — Bryan
Stevenson is the author of “Just Mercy.”
Ann Patchett: “‘Writers & Lovers,” by Lily King. “Writers & Lovers” made me happy. Even as the narrator grieves the loss of her mother and struggles to make art and keep a roof over her head, the novel is suffused with hopefulness and kindness. Lily King writes with a great generosity of spirit.
— Ann Patchett’s most recent novel is “The Dutch House.”
Erik Larson: “News of the World” by Paulette Jiles. Capt. Jefferson Kidd, a hard-traveled Army veteran, makes his living reading newspapers to paying audiences in post-civil War Texas, ordinarily a reasonably safe pursuit — until he agrees to take custody of a young orphan, Johanna, newly rescued from her Kiowa captors, in order to deliver her to her surviving relatives. As Kidd and Johanna travel across an increasingly perilous Texas landscape, the two form one of the quirkiest, most satisfying friendships in modern literature. — Erik Larson’s most recent book is “The Splendid and the Vile.”
Min Jin Lee: “Cousin Bette,” by Honoré de Balzac. Love is the antidote to fear, and few have written better about love than Honoré de Balzac. “Cousin Bette” is juicy, immersive and terribly knowing about the feeling
which connects us through time and distance. — Min Jin Lee’s most recent novel is “Pachinko.”
Luis Alberto Urrea: “Winter Morning Walks,” by Ted Kooser. When trouble comes, I often turn to poetry. I find myself drawn over and over to Ted Kooser’s slender holy book “Winter Morning Walks.” When he was recovering from cancer, he could not be in sunlight, so he walked before dawn that winter and sent Jim Harrison 100 tiny poems about the daily walk. It will bring you grace abundant. — Luis Alberto
Urrea’s most recent novel is “The House of Broken Angels.”
Joshua Ferris: “Gilead,” by Marilynne Robinson. I would suggest a pairing: Emerson’s essays with Marilynne Robinson’s novel “Gilead.” Both of these bright, kindred voices soothe me like a milk-fed baby, as they shore up against pessimism without ever being timid or false. — Joshua Ferris is the author of “The Dinner Party.”
Taffy Brodesser-akner: “Sabbath’s Theater,” by Philip Roth. I was just tag-team rereading “Anna Karenina” and “Sabbath’s Theater,” mostly because they are soothing reminders to me that beneath all this external crisis, our souls are still wretched and needy and require their own antibiotics and Purell and masks and toilet paper. Everything I see coming out now, including book recommendations, are about pandemics and surviving them. But our personhood is still here underneath it all, and it will be after all of this is over, so let’s not forget to tend to that, too. — Taffy Brodesser-akner is the author of “Fleishman Is in Trouble.”
Victor Lavalle: “The Essential Ellison,” by Harlan Ellison. Being in the house with our two kids has us digging into the books that made us fall in love with reading when we were younger. “The Essential Ellison,” a retrospective collection of Harlan Ellison’s short stories, is a book I found as a teenager and have returned to ever since. Science fiction, fantasy, horror, the stories are as brilliant, prickly, humane and sometimes problematic as the man himself. I can read one quick, while the kids eat lunch. Then it’s back into our current apocalyptic reality. —
Victor Lavalle’s most recent novel is “The Changeling.”
Curtis Sittenfeld: ‘Simon vs. the Homo Sapiens Agenda,’ by Becky Albertalli. This YA novel features two boys who attend the same Atlanta high school, start an email correspondence without knowing each other’s identities and fall in love. It’s incredibly warm, romantic, funny and even suspenseful, and the emails themselves are charming. Also, “Yes Please” by Amy Poehler. Poehler’s reflections on life are, not surprisingly, funny, but they’re also insightful, moving and honest about struggles and mistakes. — Curtis Sittenfeld’s most recent novel is “Eligible.”
Helen Simonson: “Three Men in a Boat,” by Jerome K. Jerome. As our lives must temporarily shrink to the confines of home, I search for patience and good sense in the gentle, healthful climes of Jane Austen, where intelligent, witty women must do fierce battle with the constraints of their lives. “Persuasion” is my favorite, and it never gets old to watch Anne Elliot, considered too old for marriage, balance her sense of honor and duty against a burning desire to rekindle old love.
And for those of us trying to shop a suggested two weeks of food, without resorting to the dreaded hoarding, may I recommend the victualing lists of Jerome K. Jerome’s 1889 comic hit, “Three Men in a Boat.” It takes an entire chapter to outfit a large rowing boat for three bumbling chums about to row up the river Thames for a fortnight. From cold meat and strawberries to butter and pies, not to mention a paper umbrella and a frying pan wrapped in brown paper, the hampers pile up as the local shop boys jeer: “Ah! You’d want to take a thing or two with you … if you was a-going to cross the Atlantic in a small boat.” It’s a salutary lesson in comic excess we can take with us on our search for canned tuna and toilet paper.
— Helen Simonson’s most recent book is “The Summer Before the War.”
Tayari Jones: “The Color Purple,” by Alice Walker. My go-to comfort novel is “The Color Purple,” by Alice Walker. Even though it touches on difficult subject matter like child abuse and forced marriage, this story believes that human kindness, courage and love can defeat any challenge. Its big, beautiful happy ending is heartfelt and hardwon. Every single time I read this book, I walk away as a slightly better person than I was when I picked it up. — Tayari Jones’s most recent book is “An American Marriage.”
Glennon Doyle: “‘Tiny Beautiful Things,” by Cheryl Strayed. In stressful times I want the truth, but I want it hopeful and calm. I want to feel both leveled with and wisely guided. So, I come back to Cheryl Strayed’s “Tiny Beautiful Things” when I’m panicky. Each digestible response from Sugar slows my heart back down. — Glennon
Doyle’s most recent book is “Untamed.”