Is marriage really a prize?
When I was growing up, my parents — immigrants from India — emphasized school and career before marriage. They wanted me to be ambitious, get good grades and make good money (and stop asking them for some).
“You have to be financially independent,” my mother would say.
American social and pop culture taught me otherwise: Girls were to work toward one goal — getting married. I experienced it on TV shows like “The Nanny” and “Sex and the City” that ended with the female protagonists married or heading that way; in women’s magazines (remember Glamour’s Engagement Chicken recipe, which was said to secure any man?);
and in songs about romance that occupy many a wedding playlist.
That notion pervaded my upbringing, too. On the playground, the order of life was prescribed in nursery rhymes: “First comes love. Then comes marriage. Then comes the baby in the baby carriage.”
At sleepovers when I was 12, friends would bring out magazines and catalogs of wedding dresses so we could circle our favorite ones.
And there was a time when women were told to go to college not for a B.A. or a B.S. but for an “MRS. Degree,” with the expectation of walking right off the graduation stage and down the aisle.
Fewer and fewer women are letting those messages dictate how they live their adult lives, including when — or whether — to marry. The number of American women who had never been married was 30% in 2019, up from 23% in 1990, according to U.S. News and World Report. The median age for women who got married was 28 in 2019, up from 20 in 1956.
The Pew Research Center found in 2019 that 57% of women surveyed felt that marriage, while important, was not the key to living a fulfilling life; career enjoyment, on the other hand, was essential.
When women do choose to marry, more of them are keeping their birth names.
In fact actress Zoe Saldana said Marco Perego took her last name when they married. “Men,” she wrote on Facebook, “you will not cease to exist by taking your partner’s surname. On the contrary — you’ll be remembered as a man who
by change.”
So why is it, then, that even when modern women eschew the title of “Mrs.,” the idea of marriage as a prize still persists in our culture?
Women aren’t just half of a whole — they are whole themselves, whether they are married or not. That is a fact we should all be able to support in 2020. Right?
Fashion designer and entrepreneur Diane von Furstenberg said that very thought inspired her to start the podcast “Incharge with DVF,” in which she discusses life, career and relationships with celebrities like Priyanka Chopra Jonas and Kris Jenner.
“I realized to be in charge, first and foremost, it’s owning who you are,” she told me in a phone interview. She said she shares the sentiment with women in her circles that “the most important relationship in life is the one you have with yourself. As long as you keep that a priority, any other relationship is a plus and not a must.”
And yet wherever we look, we’re presented with fairy-tale imagery of weddings and the idea that a woman’s life isn’t complete until she gets married.
Nearly 30 million Americans watched the royal wedding, many waking up before 4 a.m. to muse over Meghan Markle’s dress.
Movies marketed to women often feature female actresses as the girlfriend, bride or wife.
Friends posting on social media talk about the latest plot twists in new shows like Netfstood lix’s “Love Is Blind.”
On that show (yes, I watched the whole thing), women and men go on “dates” by guzzling alcohol while sitting in well-furnished rooms, called “pods,” where they can talk to, but not see, each other. Their goal is to find someone to marry within a few days, or two episodes in television time. The rest of the season focuses on how the couples get along while their wedding, about a month or so later, looms over every conversation.
The show perpetuates a traditional idea that life doesn’t really count for much until after vows are exchanged.
“If you can have women competing against each other, it’s great television,” said Adrienne Trier-bieniek, a sociology professor at Valencia College in
Florida who researches the relationship between pop culture and social inequality. “For pop culture, it’s like a trope.”
But, I asked her, why are movies and television shows so slow to catch on to how women regard their marriage and individuality in the real world?
She offered me a heavy sigh in response: “One of the hardest things you can do is change a culture,” she said.
The image of a woman as a wife has been a main focus of mass media since the end of World War II, she said, when the government began encouraging women to get out of the workforce and back into domesticity.
More and more magazines, newspapers and advertisements showed women as brides; women outside houses with white picket fences; and women smiling while wearing high heels and pushing vacuum cleaners.
As the feminist movement continues building strength, women are feeling empowered that they can shift the way we’re represented in our culture.
Organizations like the Representation Project and the Geena Davis Institute on Gender in Media seek to change how women are portrayed in the media and on screen. And celebrities are speaking out on how women can maintain their individuality, whether they marry or not.
“I, like many of us, was taught to grow up dreaming of my wedding, not of my life. And I spent many years dreaming of my wedding, and also waiting to be chosen,” “Black-ish” actress Tracee Ellis Ross said in a recent conversation with Oprah Winfrey. “Well here’s the thing: I’m the chooser. And I can choose to get married if I want to, but in the meantime I am choicefully single, happily, gloriously single.”