The Denver Post

The wow factor meets the why factor

- Hulu By Elisabeth Vincentell­i

The star of “Derek DelGaudio’s In & Of Itself.”

Successful magic tricks prompt oohs and aahs. Eyebrows go up, mouths are frozen agape in shock as the impossible just … happens.

You see those reactions in “Derek DelGaudio’s In & Of Itself” (available on Hulu), because the man is a technicall­y superb magician who can bend any deck of cards to his will. But you also see people cry, overcome with emotion. And that doesn’t happen with Penn & Teller or David Copperfiel­d.

“I want to do for magic what Duchamp did for art — break it,” DelGaudio told The New York Times a few years ago. For him, tricks are a means to an end. Avoiding a huckster’s brash flash, he is a softspoken storytelle­r who uses sleight of hand, manipulati­on and illusion to explore his sense of self and gently invite theatergoe­rs to do the same.

Somehow, DelGaudio managed to conjure a hit out of his quasi-metaphysic­al exploratio­ns: The stage version of “In & Of Itself” premiered in Los Angeles in 2016, then settled in New York for 560 performanc­es in 2017 and 2018.

Frank Oz directed both the stage version and the film, and he adeptly captures the project’s unique atmosphere. Cleverly, he also uses footage from different performanc­es to indicate various responses and outcomes.

The biggest payoff is set up at the very beginning, when each audience member is invited to pick a small white card from hundreds hung on the theater lobby’s wall before taking their seats: “I am … a translator,” “I am … an idiot,” “I am … a scientist” and so on.

DelGaudio takes a seemingly meandering road to circle back to that initial decision — the scene is incredible in the original meaning of the word — and in hindsight you realize he never abandons some essential queries: WhoamI?Whatisarbi­trary, and what is predetermi­ned? What is real, and what is invented? Enigmatic artist Marina Abramovic can be glimpsed in the audience, and her interest makes sense.

“In & Of Itself” reframes familiar tropes like card tricks, vanishing objects and stupendous feats of mentalism to new ends. It is not often that a magic show makes you ponder not just the how, but the why.

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