The Denver Post

Questlove uncovers “Black Woodstock” in his Sundance doc

- By Jake Coyle

Questlove responded with incredulou­s disbelief when he was first told about the footage.

A landmark 1969 Harlem concert series that he hadn’t heard of ? With Stevie Wonder? With Nina Simone? With Sly and the Family Stone, B.B. King and the Staples Singers?

“I was like, ‘Yeah, right.’ I know everything that musically happened during that time period and I’ve never heard of this in my life. ‘Get out of here,’ ” Ahmir “Questlove” Thompson recalled in an interview. “Then they came back and showed me the footage and I was just jawdropped.”

That was the beginning of what would become “Summer of Soul (... or When the Revolution Could Not Be Televised),” a concert-film time-capsule of a historic but largely forgotten festival.

Known as “Black Woodstock,” the festival occurred during the same summer as Woodstock — and just 100 miles away — but received far less attention.

“Summer of Soul,” Questlove’s directoria­l debut, finally unearths a little-seen landmark musical event. It debuted Thursday night at the

Sundance Film Festival where it spawned immediate acclaim and countless at-home dance parties for virtual festivalgo­ers — a party Questlove extended with a livestream­ed after-party DJ set.

As the Roots drummer, the “Tonight” show bandleader, an in-demand producer and a self-declared “music nerd,” Questlove’s ubiquitous presence in music has often bled into film projects. But “Summer of Soul” is his first time directing — his first “jawn,” as he labels it, using Philadelph­ia slang — even if he never sought it out.

“You’re asking if this was on my bucket-list bingo card?” says Questlove smiling over Zoom.

“I was thinking in a more seasoned director’s hands, this could change someone’s life,” he says. “I knew I was watching something special. But I got over my fear. I often will go through impostor syndrome. I realized now it’s my chance to change someone’s life and tell a story that was almost erased.”

Over six Sundays in 1969, more than 300,000 gathered in Harlem’s Mt. Morris Park for a celebratio­n of soul, gospel, funk and, most of all, of Black identity at a pivotal point in African American culture.

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