The Denver Post

Building’s landmark status backed

Developer wants to tear it down, build a residentia­l project

- By Thomas Gounley

The effort to designate the Denver7 building at Speer and Lincoln a city landmark, against the wishes of the television station, has cleared its first hurdle.

The city’s Landmark Preservati­on Commission voted 6-1 on Tuesday to forward the applicatio­n submitted by three Denver residents to the City Council, and recommend that it be approved.

Landmark status effectivel­y would prevent the structure, the most prominent part of which is a five-story octagonal office tower, from being demolished. And it would complicate the station’s efforts to sell its 2.3-acre lot to New York-based Property Markets Group, which wants to demolish the structures and build a residentia­l project.

The station itself plans to relocate.

This is the fourth high-profile, owner-opposed landmark applicatio­n to be submitted since mid2019. The others were for the Tom’s Diner building at 601 E. Colfax Ave., the Olinger Moore Howard Chapel at 4345 W. 46th Ave. and the Carmen Court condo complex at 900 E. First Ave.

In the previous three cases, the commission voted unanimousl­y to recommend approval. On Tuesday, however, commission­er Brad Gassman was a “no” vote.

Structures must meet at least three criteria to be designated a city landmark, and the three applicants — Bradley Cameron, Michael Henry and David Lynn Wise — argue in their applicatio­n for Denver7’s building that it meets six.

Gassman expressed concern that the commission was interpreti­ng the criteria too broadly.

“For me, I’m looking at a lot of these categories, and I want us to be critical about this and what it really means,” he said.

The building at 123 Speer Blvd. was built for what is now Denver7, an ABC affiliate also known as KMGH and The Denver Channel, in 1969. It consists of three parts: the five-story octagonal tower, a five-story stair/utility tower and a two-story boxy building that largely lacks windows and houses the station’s actual studios. The lot is zoned for up to 12 stories.

The applicants argue that the building exemplifie­s the Brutalist style, although Denver7 leadership and its representa­tives disputed that Tuesday.

“They were trying to create a television studio, and borrowed a few tricks from a story that was hot at the time,” said Andy Rockmore, a principal at Shears Adkins

Rockmore Architects who spoke on behalf of Denver7.

Cameron, one of the three applicants, praised the building’s “wonderful red color,” which comes from crushed red Colorado sandstone. But Brian Connolly, an Otten Johnson attorney representi­ng Denver7, said the hue was never intended to be a statement.

“The red rock was a costsaving measure, not a nod to the Front Range,” he said.

City staffers reported they received 16 letters or emails regarding the applicatio­n, 14 of which were in support. Three members of the public spoke at the Tuesday meeting, two of whom were in favor of the designatio­n, including Historic Denver Executive Director Annie Levinsky.

Mirroring comments he previously made to BusinessDe­n, Denver7 General Manager Dean Littleton told the commission that what the station has that should be preserved is not its building but rather thousands of hours of archive footage, which he said is being digitized and shared with the Denver Public Library.

He said the station’s staff count has been increasing, and the layout of the structure no longer works well for the organizati­on.

“With this applicatio­n, we feel trapped,” he said.

Denver7’s building is not the oldest one purpose-built for a television station in the city, Littleton noted. That title belongs to CBS Denver, or KCNC, which operates a few blocks north along Lincoln Street.

But Gary Petri, one of the commission­ers, described CBS’ building as “relatively nondescrip­t.” Whereas Denver7’s building was “clearly intended to make a statement about broadcast TV in its time,” he said.

Commission­er Anne Wattenberg said the tower’s “six-sided form really responds to the shift in the grid of the city.”

“I think there’s probably a really amazing adaptive reuse purpose for it,” she said.

The decision on whether to designate the building as a landmark is ultimately up to the City Council.

But none of the aforementi­oned previous three cases actually made it to that stage.

For Tom’s Diner and the Olinger Moore Howard Chapel, alternate buyers were found for the properties, ones committed to preserving the structures.

Those looking to preserve Carmen Court, meanwhile, opted to withdraw their applicatio­n, saying they weren’t confident in their chances of council approval.

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