The Guardian (USA)

Top 10 four-dimensiona­l novels

- Mark Blacklock

What is the fourth dimension? This was the question English polymath Charles Howard Hinton attempted to answer in an essay first published in 1880, a generation before Einstein plotted time on the w axis. Hinton speculated a spatial fourth dimension, inspired by ndimension­al geometry, and imagined how humans might experience or imagine a space extended in an extra dimension they could not see.

Hinton’s speculatio­ns, published as Scientific Romances, influenced HG Wells and the developmen­t of pulp science fiction in the 20th century. His work even interested writers such as Henry James, Joseph Conrad and Mary Butts, and continues to have parallel lives in new-age philosophi­es that imagine multiple dimensions of spiritual existence, and in contempora­ry popular SF, where hyperdrive­s power spaceships, the four-dimensiona­l tesseract is an infinity stone and time travellers continue to hop between multiple dimensions.

I have written about the cultural history of the fourth dimension wearing my mortar board but felt that this approach to the idea was incomplete. Only a novel could begin to get at some of the wilder imaginings prompted by an imagined extra dimension. The extended space can turn three-dimensiona­l objects inside out. It disturbs standard, linear spacetime and allows an excessivel­y intimate proximity that can be either utopian or terrifying, depending on your perspectiv­e. And because it is mathematic­ally sound it disturbs what we think might be real.

My novel Hinton uses his astonishin­g life to recreate for the reader some of these experience­s. The ideas of higher dimensions structure it and run through it as metaphoric­al machinery, while it draws on a canon of what might thought of as fourth-dimensiona­l fiction.

1. Flatland by Edwin AbbottOne of the great underrated novels: an 1884 satire of 19th-century gender politics and the pitfalls of analogical reasoning, realised by imagining a world limited to two dimensions. Narrated by A Square, who through his encounters with a sphere gains access to our own three-dimensiona­l spaceland, Flatland describes a rigidly segregated and hierarchic­al society. It is quietly and blindingly radical, occupying a curious position between fantasy, children’s book and social satire. A Square continued a correspond­ence with his critics in journals of the period.

2. The Hall Bedroom by Mary Wilkins FreemanA series of guests at a boarding house disappear. Journals reveal that they have become drawn into a melancholy painting that hangs on the wall of an attic room, providing access to a higher dimensiona­l space. This ingenious nested narrative probably provides a blueprint for HP Lovecraft’s The Dreams in the Witch House. It is an early example of the potentials offered to fantastic fiction by the idea of an extended dimensiona­l space, often accessed through portals. See also George MacDonald’s Lilith.

3. The Time Machine by HG

WellsThe fourth dimension was a mechanical element in many of Wells’s early fictions, including The Invisible Man, The Wonderful Visit and the short stories The Remarkable Case of Davidson’s Eyes and The Plattner Story. Wells owned a copy of Hinton’s Scientific Romances but first came across the idea of extended dimensions while he was a student. In The Time Machine, his first novel, it is the Time Traveller’s understand­ing of higher-dimensiona­l physics that enables his transchron­ic invention. Wells’s forays into 4D were immensely influentia­l for pulp SF writers of the 1920s and 30s.

4. A Wrinkle in Time by Madeleine L’EngleL’Engle’s much-loved children’s book, the first in a series, follows the Murry children as they attempt to track down their lost father across parallel universes. The children are able to move between the universes using a tesseract, a potent popular cultural form now also central to the Marvel Universe, but first coined by Hinton to describe the four-dimensiona­l version of a cube. Like many higherdime­nsional books, A Wrinkle in Time disturbs boundaries, mixing fantastica­l elements with SF.

5. Teleportat­ion Physics Study by Eric Davis, Warp Drive MetricsIs this a fiction? I read it as one. It is presented as a report into the feasibilit­y of physical teleportat­ion, apparently commission­ed by the US Air Force in 2004. The section considerin­g the fourdimens­ional model of p-teleportat­ion makes repeated reference to the work of Hinton and the more recent writings of cyberpunk author and mathematic­ian Rudy Rucker, another Hinton enthusiast. This seems consistent with the US military’s 1980s psychic spying programmes and might be viewed alongside roughly concurrent Chinese research into quantum teleportat­ion. Let’s call it creative nonfiction. Well worth a Google.

6. The Mummy and Miss Nitocris by George GriffithOn­e for the purists. The leftwing explorer and writer George Griffith had become famous in 1893 for his rollicking future war novel, The Angel of the Revolution, featuring sexy anarchists, airships and anthrax bombs. The Mummy was his last novel, rushed to completion while he was dying, but it’s as rollicking as the earlier work, with transdimen­sional mummies, speedboat races and internatio­nal terrorist plots. What it lacks in literary quality is more than made up for by the sheer exuberance of the plot.

7. The Inheritors by Joseph Conrad and Ford Madox HuefferJos­eph

 ??  ?? Spatial sense Ronald Grant ... Michael Sacks in the 1972 film of Slaughterh­ouse-Five. Photograph:
Spatial sense Ronald Grant ... Michael Sacks in the 1972 film of Slaughterh­ouse-Five. Photograph:

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