The Guardian (USA)

Greenpeace drops 1.5-ton rock outside Defra HQ in fishing protest

- Mark Brown Arts correspond­ent

Security had been told to expect an artwork for the secretary of state at 9am. Perhaps they were not expecting it to be an enormous chunk of granite painted with squid ink and so heavy it will need a crane to remove.

The artist Fiona Banner and a team from Greenpeace deposited the 1.5ton artwork outside the Westminste­r offices of the Department for Environmen­t, Food and Rural Affairs (Defra) on Monday.

Titled Klang, it supports Greenpeace’s direct action campaign against destructiv­e and illegal fishing in the North Sea, which has involved dropping huge boulders in the Dogger Bank area to disrupt trawlers.

The artwork was sculpted from granite taken from the North Sea, which brought its own challenges. “I was astonished to be working with material which was just so dense and heavy,” she said.

The original intention was to carve something perfect but “once I started I realised it was completely resistant to human interventi­on. In the end that is nature telling us that it cannot, will not, continue to bend to our will.”

She made three sculptures using a powerful robot-controlled diamond cutter. Two of them, Peanuts and Orator, are heading by boat to the North Sea to be dropped by Greenpeace while Klang will remain outside Defra until authoritie­s decide what to do with it.

Banner described the illegal bottom trawling of the North Sea as “like taking a bulldozer through an ancient forest”.

She sees the debate as not just about fishing in the North Sea. “It’s the future of humankind,” she said. “Here we are still in a pandemic, viscerally aware of our vulnerabil­ity and the vulnerabil­ity of nature. We know we all really need to act. Deploying the sculptures in this way is I guess a way of recognisin­g we need to act beyond language.”

Greenpeace has said it will remove the boulders it is dropping in the sea – including the artworks – if the government takes credible action. What happens to the one in Westminste­r remains to be seen. “It will be quite hard to move. They will probably have to get a crane,” said Banner.

Banner, who once installed a Harrier jump jet in Tate Britain, has been sculpting full stops over two decades.

These works are materially different in that they have been painted with sustainabl­y sourced squid ink. “We can’t put anything in the water that is toxic,” Banner said, “but they do smell a bit fishy. I was in the house the other day saying what’s that smell, what’s been going on and eventually it was traced back to me.”

A Defra spokespers­on said: “We are putting sustainabl­e fishing and protection of our seas at the heart of our future fishing strategy. We have already set up a ‘Blue Belt’ of protected waters nearly twice the size of England and the Fisheries Bill proposes new powers to better manage and control our Marine Protected Areas and English waters.

“The Common Fisheries Policy currently restricts our ability to implement tougher protection­s, but leaving the EU and taking back control of our waters as an independen­t coastal state means we can introduce stronger measures.”

 ?? Photograph: Yui Mok/PA ?? Klang, a sculpture in the form of a boulder by Fiona Banner, outside the Department for Environmen­t, Food and Rural Affairs in London on Monday.
Photograph: Yui Mok/PA Klang, a sculpture in the form of a boulder by Fiona Banner, outside the Department for Environmen­t, Food and Rural Affairs in London on Monday.
 ?? Photograph: Yui Mok/PA ?? Fiona Banner with her art installati­on in Westminste­r on Monday.
Photograph: Yui Mok/PA Fiona Banner with her art installati­on in Westminste­r on Monday.

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