The Guardian (USA)

Bake Off and beyond: the unstoppabl­e rise of crafty reality TV

- Yomi Adegoke

The X Factor final was once considered quintessen­tial, if high stakes, Christmas viewing. But this year, instead of watching Alexandra Burke sob into Beyoncé’s shoulder post-duet, we will see her performing Silent Night on the Christmas edition of The Great British Bake Off, now an annual fixture on Channel 4, along with the new year edition. After the year we have had, watching former contestant­s compete in a spin-off contest that doesn’t really count feels like the right, tolerable level of excitement.

Since it launched 10 years ago on BBC Two, Bake Off has been a wholesome, welcome escape from real-world stresses; it has felt particular­ly welcome this year. It is just as well: Bake Off – and its many successors and imitators – is now almost unavoidabl­e. A slew of baking competitio­ns have been commission­ed in its wake, from Netflix’s Sugar Rush to the Food Network’s Cake Wars, The Big Bake and Holiday Baking Championsh­ip. Zumbo’s Just Desserts, a co-production by Seven Network in Australia and Netflix, is essentiall­y the same thing but with confection­ery, while Netflix’s Nailed It! is a sort of reverse Bake Off, featuring really rubbish bakers doing their best to win a cash prize.

It is amazing not only how entertaini­ng, but also how relaxing it can be to watch other people enjoying their hobbies. It is something ofa hobby in itself. The Great British quaintness of Bake Off, combined with the soul soothing that comes from watching the bakers at work, has been posited as the antidote to frantic US cooking shows, where stress is the main ingredient. While reality TV has been a lockdown panacea for many, Bake Off is a panacea for those who want the escapism of the genre but can’t stomach the drama.

Bake Off, with its internatio­nal editions and junior version, does not, however, have the monopoly. Videos of people writing calligraph­y, blowing glass or showing off other skills often go viral – they are satisfying to watch, like an unintended visual form of ASMR. The web is littered with endlessl isticles of the Bake Off-a-likes you can enjoy. There is The Great Pottery Throw Down and The Great British Sewing Bee ( both made for the BBC by Love Production­s, the creator of Bake Off); The Big Flower Fight (Netflix); and The Great Interior Design Challenge and The Big

Allotment Challenge ( both BBC). Their similariti­es to Bake Off go beyond their names and amateur contestant­s.

These offerings are becoming increasing­ly niche, too: Blown Away, a glass-blowing competitio­n on the Canadian channel Makeful and Netflix, would likely never have existed without Bake Off, nor would Netflix’s The American Barbecue Showdown, following the US’s best competitiv­e barbecuers.

The rise of these types of shows has coincided with the demise of the other type of talent show: ratings for The X Factor are down, and attempts to breathe life back into the ITV franchise via two special series that aired last year, The X Factor: Celebrity and The X Factor: The Band, led to its lowest-ever ratings. Despite offering a kinder approach to the music competitio­n format and gaining a positive response from critics, Little Mix: The Search is said to be facing the axe after one series. While The Voice UK continues to hang in there, it has failed to create a bona fide star after more than eight years on air.

TV has progressed into showcasing talent in a different way – one that makes the artistry the focal point. While shows such as Bake Off are competitiv­e, most of the pleasure lies in simply watching other people be good at things they enjoy. Few of us can handle any more stress right now, or the idea that runners-up are liable to be sacrificed on a mountainto­p during the ad break. With Bake Off-style shows, wins can be life-changing, but losing is not portrayed as life-ending.

Bake Off, and its successors have been particular­ly comforting in 2020, a year in which the news has been unwatchabl­e yet impossible to turn off. Many of us have turned to baking as a non-toxic way of passing the time when Twitter gets too much. Watching people bake – or garden, or make pottery – on TV can feel equally as pure. And, better still, it requires none of the clean-up.

 ??  ?? Host Joe Lycett with contestant Angillia on The Great British Sewing Bee. The series is made by Love Production­s, the creator of The Great British Bake Off. Photograph: BBC/Love Production­s
Host Joe Lycett with contestant Angillia on The Great British Sewing Bee. The series is made by Love Production­s, the creator of The Great British Bake Off. Photograph: BBC/Love Production­s
 ??  ?? ‘A sort of reverse Bake Off’ ... Nailed It! on Netflix. Photograph: Adam Rose/Netflix
‘A sort of reverse Bake Off’ ... Nailed It! on Netflix. Photograph: Adam Rose/Netflix

Newspapers in English

Newspapers from United States