The Guardian (USA)

Ian St John was key to Liverpool's emergence as a football superpower

- Jonathan Wilson

Ian St John was a gifted broadcaste­r. He was the perfect straight man for Jimmy Greaves: he clearly found him hilarious and his chuckle was infectious. It seems almost incredible that Saint and Greavsie ran only between 1985 and 1992; to those of us of a certain age, it seemed eternal, ITV’s lightheart­ed sibling to the BBC’s more earnest Football Focus. But the oddity of those sportsmen who have successful second careers is what made them famous in the first place is often obscured.

Say Ian St John today and, for most who know the name, the picture that will come to mind is of a clubbable grey-haired man in a sports jacket, but it shouldn’t be forgotten what a good player he was or how important in the emergence of Liverpool as a superpower of English football.

By the spring of 1961, Bill Shankly was becoming frustrated. He had taken over as manager of Liverpool in December 1959 and, although he triggered an almost instant improvemen­t, they finished third in the Second Division, eight points behind second and promotion.

The following season they lacked consistenc­y and finished third again. He needed, he decided, two players: a centre-half and a centre-forward. Before the transfer deadline he had made an offer for Brian Clough, whose perennial dissatisfa­ction at Middlesbro­ugh had finally reached the point of departure, but Clough opted for Sunderland instead.

Who else had the attributes he re

 ??  ?? Ian St John warms up, watched by Liverpool’s manager Bill Shankly in January 1967. Photograph: Evening Standard/Getty Images
Ian St John warms up, watched by Liverpool’s manager Bill Shankly in January 1967. Photograph: Evening Standard/Getty Images
 ??  ?? Ian St John and Jimmy Greaves on set for the filming of a Saint and Greavsie FA Cup final special for Setanta in 2009. Photograph: Tom Jenkins/The Guardian
Ian St John and Jimmy Greaves on set for the filming of a Saint and Greavsie FA Cup final special for Setanta in 2009. Photograph: Tom Jenkins/The Guardian

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