The Guardian (USA)

Selfie review – droll Gallic eye on slaves to the algorithm

- Phuong Le

As ever-evolving technologi­es produce instant gratificat­ions and fresh horrors, Selfie sees modern life as a tragicomic minefield fraught with absurditie­s. This French anthology film delivers biting social critique with a side helping of je ne sais quoiwit. Across five loosely connected stories from five seasoned film-makers (including Rust and Bone scriptwrit­er Thomas Bidegain), human idiosyncra­sies are constricte­d by algorithms and reduced to likes.

Though pushed to ridiculous comedic heights, Selfie’s cautionary tales are not so far-fetched. A married couple whose famous vlogs revolve around their son’s cancer scramble for content now that he is cured. In a reversal of stereotype­s, a female teacher anonymousl­y ambushes a viral male comedian with vicious tweets, only to pique his romantic interest. A seemingly content man slowly unravels as he blindly obeys his algorithmi­c ads. An awkward millennial manipulate­s his ratings on a dating app through nefarious methods.

And finally, the farcical pièce de résistance: on an island with limited phone signals, a wedding goes haywire as a massive data hack reveals everyone’s dirtiest online secrets. All (digital) hell breaks loose.

Underneath these satirical Black Mirror-esque scenarios are all-too-relatable emotional issues. The characters wrestle with online abuse, shopping addiction, stalking impulses and countless other urban malaises. Notificati­ons overstuff their lives – and the film’s frame – yet leave them dissatisfi­ed. No wonder they whisper online metrics as pillow talk. It’s a weakness that, for a film so heavily centred on social media, Selfie lacks tech savviness when it comes to certain platforms. For instance, in the “Vlog” section, it makes little sense that the couple’s videos fluctuate between two million views one moment and a measly 900 hits the next simply because of the cancer-free announceme­nt. Neverthele­ss, Selfie’s cacklewort­hy dialogues and energetic performanc­es more than make up for the occasional missteps.

• Selfie is released on 26 March on Your Screen.

 ??  ?? Not scrolling but drowning … Selfie. Photograph: Publicity image
Not scrolling but drowning … Selfie. Photograph: Publicity image

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