The Guardian (USA)

The killer question: are true-crime podcasts exploitati­ve?

- Hannah Verdier

In the Guide’s weekly Solved! column, we look into a crucial pop-culture question you’ve been burning to know the answer to – and settle it, once and for all

For every person who wouldn’t touch a true-crime podcast with a blunt instrument, there are thousands of others lusting after more fake doctors and fast-talking waitresses brandishin­g one vital clue. Six years after Serial sparked an explosion in the genre, listening to an NPR-voiced reporter treading old ground while a piano tinkles in the background has now been officially recognised as a highbrow pursuit. The problem is where to draw the line: is this investigat­ive journalism or is it exploitati­on of real people?

The idea that anyone needs to hear about yet another attractive prom queen found half-naked, their death described in lascivious detail, is questionab­le at best: behind every gripping case, there is a family who have suffered and don’t want to pick over the horrific details, no matter how sensitivel­y they’re treated.

One of true-crime podcasting’s most controvers­ial territorie­s, that leaves it wide open to accusation­s of exploitati­on (and ripe for parody), is its regurgitat­ion of incidents involving women. Is it misogyny or coincidenc­e that so many podcasts focus on the abuse of women? Just look at true crime’s biggest hits: gaslightin­g conman and “freelance anaestheti­st” Dirty John preying on a divorcee; a fallen Playboy model in Death of a Starlet; and the story of a missing beauty queen in Up and Vanished.

Of course, this isn’t a podcast-specific problem, and women are far from immune to the charms of a true-crime yarn. In fact, they are the ones listening. Spotify research showed that women’s consumptio­n rose 16% higher than men’s in 2019. Whether that is due to empathy or the urge to learn survival techniques, it’s a phenomenon that Karen Kilgariff, Georgia Hardstark and their murderinos celebrate in their very knowing comedy podcast My Favourite Murder. When the Onion’s A Very Fatal Murder launched with its Extremely Timely Homicide Locator, the perfect podcast crime was identified as “one in which a really hot white girl dies”.

There are cases where true-crime podcasts go some way to finding justice. Serial’s case study of Adnan Syed – who had been imprisoned for his exgirlfrie­nd Hae Min Lee’s murder – led to him being granted a retrial, reopening wounds for the victim’s family. (The decision to grant a retrial was later overturned.) Australian podcast The Teacher’s Pet sparked a slew of clues from listeners who remembered informatio­n that could be relevant to Lyn Dawson’s disappeara­nce.

But more often justice takes a back seat as listeners’ addiction to cold cases, graphic descriptio­ns and amateur sleuthing continues. Not even those bastions of wholesome entertainm­ent the Chippendal­es are immune, thanks to the high camp of 1980s-set crime caper Welcome to Your Fantasy. The difference here is that this podcast has such cracking characters it doesn’t need to rely on bloodthirs­ty scenesetti­ng and over-the-top descriptio­ns of murder, so the result is a brilliant examinatio­n of why the oily prancers are so popular. True-crime podcasts have exploited victims of crime for years, so it’s refreshing to hear one that concentrat­es on the motive, not the means. Perhaps the tide is turning.

 ?? Photograph: This American Life ?? Journalism or exploitati­on … Serial.
Photograph: This American Life Journalism or exploitati­on … Serial.

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