The Guardian (USA)

BTS review – charisma and confidence from the world’s biggest pop group

- Katie Hawthorne

“We can’t see you, but we’re so glad you can see us,” beams Jungkook, breathing heavily. BTS – the world’s biggest pop group – have just opened their performanc­e at Seoul’s Olympic stadium in typically flat-out fashion. After flying through the elaborate choreograp­hy and ferocious passion of tracks On, Burning Up (Fire) and Dope – songs from three very different stages of the South Korean group’s eightyear career, the seven members are taking a moment to speak frankly. Although their stadium show has flames, fireworks, dozens of balletic dancers dressed like swans and a live band complete with a choreograp­hed brass section, RM, Jin, Suga, j-hope, Jimin, V and Jungkook are missing just one thing: the band’s beloved fanbase, known as Army.

Tonight’s live-stream audience could have sold out the Olympic stadium 10 times over. Instead of dealing with pre-sales, touts and expensive hotels, fans can watch the performanc­e from six perfectly framed camera angles, enjoy live translatio­n, and congregate on social media: when BTS perform just a snippet of a beloved older song, Blood Sweat & Tears, some 50,000 ecstatic tweets are fired off immediatel­y.

Still, j-hope gestures at the stadium’s 69,000 empty seats. “It makes me lonely,” he admits. It’s no small task to perform a stadium-sized show, let alone without the energy and encouragem­ent radiating from a sea of euphoric fans. Harder still when you have a band member out of action: after a small rehearsal injury, V sings with regal acceptance from an armchair, missing out on much of the group’s high-powered delivery.

Named Permission to Dance (On Stage) after the uplifting summer single of the same name, the concert spans their discograph­y with unusually broad strokes. While BTS’ epic album Map of the Soul: 7 would have underpinne­d last year’s cancelled world tour, tonight feels closer to a greatest hits. They use dance breaks to segue between remixes of milestone singles, and in doing so uncover unexpected thematic links: Blue & Grey, a soft, devastatin­g ballad created during the pandemic, bleeds beautifull­y into Black Swan, a darkly theatrical song about the fear of falling out of love with music.

BTS have experiment­ed with genre since their 2013 debut, but the way they use each member’s strengths – RM’s cool authority, Jin’s silvery vibrato, Suga’s fierce intensity, j-hope’s colourful expression­ism, Jimin’s tender strength, V’s dusky baritone and Jungkook’s athletic adlibs – confirms their charisma and confidence as a group. It tethers them together through the old-school

hip-hop inflection­s of tracks like Disease and Baepsae, the EDM explosion of So What and heartbreak­ing closer Spring Day, a song fans refer to as the “queen” for its beauty and grace.

This group is so often described as a phenomenon: they’ve broken long-held music industry records and smashed the assumption that pop should be in English for it to find global success. But to call them a phenomenon also implies that their star power is something of a mystery – and that is not true. To watch BTS perform – online, or offline – is to understand the tenacity, talent and passion that has fuelled them to these heights.

 ?? ?? Flames and fireworks … BTS. Photograph: BigHit Music
Flames and fireworks … BTS. Photograph: BigHit Music
 ?? ?? Charisma and confidence … BTS. Photograph: BigHit Music
Charisma and confidence … BTS. Photograph: BigHit Music

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