The Guardian (USA)

Goddesses, she-devils and a tangle with textiles – the week in art

- Jonathan Jones

Exhibition of the week

Lonnie Holley: The Growth of Communicat­ionThis evocative assemblage artist born in Birmingham, Alabama, shows work inspired by recent visits to the UK that use found British stuff.• Edel Assanti, London, until 2 July.

Also showing

Feminine PowerFrom Pele, the Hawaiian volcano goddess, to the disruptive Kali, this exhibition sticks out a tongue at male power by surveying female divinities and demons in the world’s cultures.• British Museum, London until 25 September.

Status Need a World InterludeS­ue Tomkins, Michael Wilkinson, Eva Rothschild and Jim Lambie create a group show that resembles a single installati­on. • Modern Institute, Glasgow until 22 June.

CountedPho­tography to mark this year’s Scottish census, comparing contempora­ry shots of Scotland by Kieran Dodds, Arpita Shah and others with the Victorian photograph­s of David Hill and Robert Adamson.• Scottish National Portrait Gallery, Edinburgh, until 25 September.

What Lies Beneath: Women, Politics,

TextilesTe­xtiles as feminist political art, with Miriam Schapiro, Permindar Kaur, Francisca Aninat and others.Women’s Art Collection, Murray Edwards College, Cambridge, until 28 August.

Image of the week

Point of Return, 2021, by Ayobami OgungbeLag­os-based Ayobami Ogungbe’s image is shortliste­d for the Contempora­ry African Photograph­y prize, awarded annually to five photograph­ers whose works were made in Africa, or which engage with the African diaspora. “Point of Return,” says Ogungbe, “is based on a historical passage point used for human trade in Badagry, my home town … I intend to show tentative reactions of humans that were traded during that time.” View gallery of shortliste­d entries here.

What we learned

A Ukrainian museum is collecting symbols of resistance

Keith Kahn-Harris and Rob Stothard have been smashing Jewish stereotype­s

A new show looks at the air we breathe

David Best’s vast wooden memorial to Britain’s Covid dead will be set alight in Warwickshi­re

Shanghai-based photograph­er Luo Yang has been documentin­g Chinese youth

Henrietta Howard’s Marble Hill villa is to open to the public

Gilane Tawadros will be one of few women of colour to lead a big UK arts institutio­n – the Whitechape­l Gallery

Glyn Philpot was a master portraitis­t with a secret gay passion

Cornelia Parker has astonishin­g alchemy

A ‘lost’ Picasso has been spotted in Imelda Marcos’s home

Masterpiec­e of the week

The Artist’s Sister in the Garb of a Nun, by Sofonisba Anguissola­The female Renaissanc­e artist Sofonisba Anguissola depicts the sweet, Mona Lisa half-smile of her sister Elena framed by the head covering of a nun in this tender early work by a mistress of the portrait. It is almost as if Elena is trying the costume on, and with it wondering what the celibate religious life it symbolises might be like. Many young women who did not marry were dumped in convents in 16th-century Italy. But the Anguissola­s, a noble couple who lived in Cremona, had other ideas: they got their daughters trained as artists, an almost unheard-of thing. Sofonisba was the most talented. Her gift was recognised by Michelange­lo.

She went on to work at the Spanish court and had a long, independen­t career. Meanwhile, Elena found the habit fitted, and became a nun.• Southampto­n City Art Gallery

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 ?? ?? From Lonnie Holley: The Growth of Communicat­ion at Edel Assanti, London. Photograph: Andy Keate
From Lonnie Holley: The Growth of Communicat­ion at Edel Assanti, London. Photograph: Andy Keate
 ?? ?? Dance mask of Taraka, workshop of Sri Kajal Datta, 1994, India, from Feminine Power. Photograph: The Trustees of the British Museum
Dance mask of Taraka, workshop of Sri Kajal Datta, 1994, India, from Feminine Power. Photograph: The Trustees of the British Museum

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