The Guardian (USA)

AI resurrecti­on of Brazilian singer for car ad sparks joy and ethical worries

- Tom Phillips in Rio de Janeiro

The premature death in 1982 of one of Brazil’s most treasured musicians left her homeland reeling. “Brazil without Elis,” mourned one front page after the legendary singer Elis Regina unexpected­ly died at the age of 36.

So when Elis Regina recently reemerged, performing a soul-stirring duet with her daughter, the Grammywinn­ing singer Maria Rita, there were similarly charged scenes of catharsis and nostalgia.

“It’s seven-something in the morning … and I’m bawling my eyes out,” tweeted Brazil’s first lady, Rosângela Lula da Silva, one of millions of Brazilians moved to tears by the performanc­e.

The AI-created collaborat­ion – which took more than 2,400 hours to produce and was made for a commercial celebratin­g Volkswagen’s 70th birthday in Brazil – has also sparked an impassione­d debate over the ethics of artificial intelligen­ce and its impact on the music industry and society as a whole.

Newspapers and social media have been filled with discomfort and in some cases outrage at an onscreen revival that Elis Regina Carvalho Costa, who died more than four decades ago, could not herself have approved. Some critics remembered how the singer, commonly known as Elis, had been a staunch opponent of Brazil’s 1964-85 military dictatorsh­ip – a regime Volkswagen notoriousl­y collaborat­ed with.

This week, Brazil’s advertisin­g watchdog, Conar, announced it would investigat­e a possible breach of ethics after receiving complaints questionin­g whether it was right to use such methods “to bring a deceased person back to life” on screen.

“Questions have been raised over whether [the use of such techniques] might cause some to confuse fiction with reality, above all children and teenagers,” Conar said, promising a ruling in about 45 days.

Volkswagen has defended its viral campaign, in which the face of a female double playing Elis was altered with facial recognitio­n software to give the impression that the singer was performing. “The idea … was to use artificial intelligen­ce to create a unique moment that reunited … one of the greatest singers in the history of Brazilian music, and her daughter Maria Rita, a contempora­ry icon,” the company said, adding that the production had the blessing of the singer’s family.

Speaking to the Guardian, Elis’s eldest son, the music producer João Marcello Bôscoli, hailed the discussion his mother’s reappearan­ce had triggered and how the advert had revealed “a more emotional, playful and artistic” side to a technology more often associated with fake news and memes.

“Elis has provoked a debate about the future … despite having physically died more than 40 years ago … I can’t think of another person in Brazil apart from Elis who could have generated

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