Read the opening of Jon Fosse’s The Other Name
And I see myself standing and looking at the picture with the two lines that cross in the middle, one purple line, one brown line, it’s a painting wider than it is high and I see that I’ve painted the lines slowly, the paint is thick, two long wide lines, and they’ve dripped, where the brown line and purple line cross the colours blend beautifully and drip and I’m thinking this isn’t a picture but suddenly the picture is the way it’s supposed to be, it’s done, there’s nothing more to do on it, I think, it’s time to put it away, I don’t want to stand here at the easel any more, I don’t want to look at it any more, I think, and I think today’s Monday and I think I have to put this picture away with the other ones I’m working on but am not done with, the canvases on stretchers leaning against the wall between the bedroom door and the hall door under the hook with the brown leather shoulderbag on it, the bag where I keep my sketch-pad and pencil, and then I look at the two stacks of finished paintings propped against the wall next to the kitchen door, I already have ten or so big paintings finished plus four or five small ones, something like that, fourteen paintings in all in two stacks next to each other by the kitchen door, since I’m about to have a show, most of the paintings are approximately square, as they put it, I think, but sometimes I also paint long narrow ones and the one with the two lines crossing is noticeably oblong, as they put it, but I don’t want to put this one into the show because I don’t like it much, maybe all things considered it’s not really a painting, just two lines, or maybe I want to keep it for myself and not sell it? I like to keep my best pictures, not sell them, and maybe this is one of them, even though I don’t like it? yes, maybe I do want to hold onto it even if you might say it’s a failed painting?
• This is an extract from The Other Name Septology I-II by Jon Fosse, translated by Damion Searls (Fitzcarraldo £12.99). To support the Guardian and the Observer buy a copy at guardianbookshop.com. Delivery charges may apply.