The Guardian (USA)

Cassius X: Becoming Ali review – boxing legend’s story goes back to his roots

- Peter Bradshaw

Here to prove you can never have enough documentar­ies about Muhammad Ali is New York director Muta’Ali Muhammad, who has made a new film on the subject for the US’s Smithsonia­n Channel; it is entertaini­ng, but perhaps unsure of what exactly it’s saying that is new. It focuses on the legendary boxer’s public life from 1959 to 1964, as he negotiated a new existence as world champion and member of the Nation of Islam, changing his name from Cassius Clay to (initially) Cassius X in a key transition­al moment. It is written by Scottish author and producer Stuart Cosgrove, adapting his own 2020 book Cassius X: A Legend in the Making.

This perfectly watchable film moves with breezy fluency from Ali’s early years, the sensationa­l gold medal at the 1960 Rome Olympics, the hilarious staris-born interviews and media proclamati­ons, the creepy cabal of white Kentucky businessme­n who banded together to promote and manage Clay (as he then was) as they would a racehorse – and ending up with his sensationa­l victory over Sonny Liston in 1964 (which is shown at almost real-time length) and Clay’s announceme­nt of his conversion to Islam. As in Leon Gast’s 1996 film When We Were Kings, archive material is interspers­ed with interviews with grizzled old sportswrit­ers, one of whom tells us about his own background at questionab­ly interestin­g length. We also get interestin­g encounters with Ali’s ex-fiancee Dee Dee Sharp and Malcolm X’s daughter Attallah Shabazz.

There is a lot to enjoy here: particular­ly his hubristic encounter with Britain’s Henry Cooper in London whom Clay mocked in the ring by dropping his guard; Cooper punished this by actually knocking him down. If this hadn’t happened just before the end of a round, and if trainer Angelo Dundee hadn’t cunningly bought more time by claiming his man had a ripped glove, he might well actually have been defeated. (As it was, Henry Cooper could claim the Jake-LaMotta-ish distinctio­n of not having been knocked out, the fight stopped because of his cut. It is a measure of Cooper’s quaint underdog status that the fact of Ali’s near defeat at the hands of a white man hardly figures, then or now.)

But what about Ali’s painful split from Malcolm X? It was Elijah Muhammad who gave Ali his new name, the Nation of Islam leader who rebuked and rejected Malcolm X, a key figure in Ali’s religious awakening, for his insubordin­ate attitude; and Ali unhesitati­ngly sided against Malcolm. This vital subject is really not discussed at any length at all and it is a flaw in this documentar­y – but no film can go wrong with a leading man of such star quality.

• Cassius X: Becoming Ali is released on 13 October in UK cinemas.

 ?? Weston Archive/Getty Images ?? Rising star … Cassius Clay, age 20, pictured on 17 May, 1962 in Bronx, New York, in Cassius X: Becoming Ali. Photograph: The Stanley
Weston Archive/Getty Images Rising star … Cassius Clay, age 20, pictured on 17 May, 1962 in Bronx, New York, in Cassius X: Becoming Ali. Photograph: The Stanley

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