The Guardian (USA)

‘A call to action to love ourselves’: how women in their 50s can leave the shadows

- Lucy Cavendish

It happened to me the other day when I was on holiday on my own. I was sitting on a beach, sun hat on, book in hand, and I found myself watching the young families around me and realising I no longer fitted in. More than that, I didn’t really know where I actually did fit in. I imagined them looking at me and thinking – if they thought anything at all – that I was some sort of remaindere­d woman, husband-less, child-less, sitting reading like a washed-up former heroine of a novel.

It was a “moment”. But, then again, over the last six years since I turned 50, I’ve been experienci­ng so many “moments” that it now feels pretty much like a constant buzz of dis-ease within me. I have, over the years, turned from someone who is generally prone to happiness and a sort of sustaining optimism, to someone who feels somewhat irrelevant.

Now that my identity as a working-mother-of-four-young-children has gone, I feel, in a nutshell, “lesser”. I feel as though I am in the shadows, fading into invisibili­ty, which leaves me asking: who am I? How do I, and so many women in their late 50s, deal with this feeling of being not only irrelevant, but disconnect­ed from who I always thought I was? What adjustment­s need to be made? Is it possible to make peace with our emergent selves, without seeing ourselves as lesser or irrelevant?

As a therapist, I speak to women in their 50s who put it another way: they talk of being “othered”, of not knowing who they are now that they no longer fit the traditiona­l archetype of carer, mother, worker, friend, daughter. They are the same person, they are still present, and yet their psyche seems to be elsewhere. The discomfort, even shock, this creates stems from a feeling of not being able to locate that psyche.

“The ‘self’ I had feels as if she no longer exists,” one client told me, “and that she will never come back. I find it very frightenin­g.” She spoke of feeling irrelevant to herself and also to others. “It’s as if I have lost my foothold.” She described how ostensibly nothing on the outside had changed – she runs a sector of a well-known bank and is an effective manager. She is married. Her children have just left home. “But it’s not an empty-nest thing. It’s more than that. I just don’t care about myself or about anyone and I am exhausted and

nervous nearly all the time.”

Another female client, 55, spoke of how she found herself feeling scratchy and irritable with pretty much everyone. “It’s as if this other person is emerging and I don’t know who she is, but she’s short-tempered and unpleasant and cantankero­us.” She told me her friends would usually describe her as a happy, kind soul. “Where has that person gone?” she asked, obviously in deep distress.

It is pretty terrifying to find that you are no longer the person you thought you were. Another client described it as being shot by a bullet that has shattered into so many pieces she had no idea which parts of her were still intact and which were broken and damaged.

As a therapist I have heard this many times. This loss of self – of feeling irrelevant not just to others but also to yourself – is a deep wound in women. But I have always thought this was to do with being sexually attractive – and the perceived loss of this as we age. However, I have come to realise that this isn’t strictly true. My own sense of invisibili­ty, even to myself, has stopped me in my tracks at times and it’s not about my physical body. It’s about wrestling with a side of me that I had previously denied – a side that could be described as “shrewish”. This gnawing, stinging, nervous scratching in my soul has finally made me realise that not only have I actually managed to feel unrecognis­able to myself, but that I have done this to myself. Somehow all the parts of myself I have hived off for so long, the shadowy bits, have finally invaded all parts of me, leaving me reeling as to who I actually am now.

As my friend Rosa, 59, put it: “Who I am now is a very difficult question to be asking myself at an age where I thought I’d be settled, serene, looking forward to my older years – and then wham!” Her feeling is that she has, over the years, started to see herself as being “eroded”. “I find myself not liking myself very much,” Rosa continues. “It’s as if the part of me that was joyous has disappeare­d and in its wake is something a bit faded and not very recognisab­le as being me.”

Psychologi­stSusie Orbach suggests our tendency to “other” ourselves can be about our lack of experience when it comes to taking care of ourselves – especially after decades of looking after others. “I think it’s important to ask yourself: ‘Is this an inability to take in the caring that comes towards you?” she says. “The ‘needy’ self is disdained and turns into the critic that then turns against the self.

“The channels of giving,” she says, “which come out of the person’s own neediness and identifica­tion with the needs of others, are overworked, and the channels for receiving are underdevel­oped and unused to taking in.”

Some psychologi­sts and philosophe­rs – Carl Rogers, the founder of person-centred psychother­apy for one – would say that we are relational and that our sense of self intersects with that of others. If, then, we start retreating from society or find ourselves incapable of taking in care and support, we have nowhere left to go but into the denied parts of ourselves. Jung called this our “shadow” self for obvious reasons – they are the bits of us we don’t like. In fact, we might dislike them so much we have made them unconsciou­s – we don’t even know they are there until, shockingly, they come out and rock our world. This effectivel­y means we are actually turning inwards on ourselves, as Orbach suggests. We cannot bear the idea of being “needy” so we turn against who we are. Worse still, we only have ourselves to blame.

Many of my clients express feelings of despair and even revulsion when they look at their circle of friends; they feel they no longer belong, whereas they used to feel secure in these attachment­s. The recurrent refrain is: “I don’t fit in with them any more.” Many find themselves in a strange limbo: the self exists in a void, hovering somewhere between post-children and pre-ageing and death, leaving us feeling untethered, even afraid.

Relationsh­ip coach and author Greg Wheeler refers to Maslow’s five-tier hierarchy of needs, which are physiologi­cal (food and clothing), safety (job security), love and belonging (friendship), esteem and, finally, self-actualisat­ion.

He says that once our lowest needs are met, the self-esteem part is often defined by our behaviour patterns with others ie getting our needs met by giving to others.

“It is typical that how we feel about ourselves, and our sense of self-worth, is dependent on how we feel others feel about us. This includes the usual stuff, such as family and friends, but this self can become untethered in later life as the tectonic plates around us shift.”

In essence, as we age the loss of, or change in, key relationsh­ips sets us adrift from those who could meet those needs. Thus the slowing down of our lives gives the darker elements of our self a chance to come to the fore. This can create feelings of loss of safety, purpose, value and identity, and feeling lovable.

So what can we do about this? What seems vitally important is to find some deep acceptance of self and, more importantl­y, to love our new, emergent self. Psychother­apist, author and trauma specialist Gabor Maté maintains that the people who truly thrive (in whatever shape or form) are those who are able to adapt. For those of us who find ourselves othered, or feeling irrelevant, or othered – all such harsh words – we would do well to embrace our mutability; we are not set in stone as people, so perhaps now is the time to go with the flow of where we seem to be going. That may mean learning to love ourselves and who we are becoming, even if that feels alien to who we feel ourselves to be.

“I see this as potentiall­y a call to action to love ourselves in ways we never have before,” says Wheeler, “replacing the love we tried so hard to get, miss so much, and were dependent on receiving from others, with our own self-love. This form of self-love is where we work to know our true feelings, needs, desires, and passions and then honour them by embracing them, sharing them, and enforcing boundaries. We can then acknowledg­e that we are lovable, amazingly perfectly imperfect – just as we are.”

It is pretty terrifying to find you are not the person you thought

Jordan and Boebert.

Hernandez reprises his role from last season as dutiful son Luis, bringing his latest (white) girlfriend, Casey (new featured player Chloe Troast), home to meet his aunt (played, of course, by Bad Bunny in full drag). His tia is overly protective, but not nearly as much as his hot-blooded mother (Pascal), who makes a surprise appearance. Pascal is very good in the role and there are some solid jokes about Latino culture (using store-bought cookie tins to store random household items gets a big knowing laugh), but he feels somewhat reined in having to share the spotlight with the host. Pascal’s episode last season was by no means a classic, but he was very game in that role. Seeing him here, it makes you wish he had duties this time around too.

An inspiratio­nal drama in the vein of The Pursuit of Happyness serves as the foreground for an array of insane behavior on a subway train, including fistfights, flashers, and a “big-ass rat” attack.

Then, following Bad Bunny’s second musical performanc­e, we find ourselves in a convent, where the nuns are shocked to learn that one of their number is actually a man who’s been sleeping with almost every woman there. The answer is obviously the one played by Bad Bunny, who is at his worst here. However, bad as he is, the regular cast are worse, each of them mugging it up to the nth degree. Things are slightly redeemed when Jagger – who can actually act – shows back up towards the end.

The final sketch takes place at the corporate headquarte­rs of Burt’s Bees, where a small group of employees worry about layoffs in the face of a new merger, but are continuall­y interrupte­d by Bad Bunny’s co-worker, who just wants to talk about his daughter’s recent engagement and her nice new fiance, Jeff. It’s a mistake to give Bad Bunny this much dialog this late into the episode, as he is incapable of delivering it without seeming like he’s about to break. It also doesn’t help that this is by far the weakest sketch of the night, with its nothing premise and complete lack of focus.

This was a bad episode, with much of the onus landing on Bad Bunny. It’s important to note that it’s not his fluency in English that hampered him – the show deftly handled that by giving him a lot of Spanish material and giving much of the heavy lifting to other guest stars. It’s that he seems to find the very idea of himself doing comedy in and of itself the funniest thing imaginable, coming off like the high school jock who gets pulled on stage for a skit during an assembly. If you’re one of his diehard admirers, maybe that energy is infectious, but for everyone else, it’s agonizing to watch.

On the other hand, SNL has made some strides over the last two seasons to engage more with Latino audiences, with this being the second season in a row with an entire episode geared towards us. That has to count for something.

 ?? Sarah M Lee/The Observer ?? ‘Many find themselves in a strange limbo between post-children and pre-ageing, leaving us feeling untethered’: Lucy Cavendish. Photograph:
Sarah M Lee/The Observer ‘Many find themselves in a strange limbo between post-children and pre-ageing, leaving us feeling untethered’: Lucy Cavendish. Photograph:

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