The Iowa Review

In Dreams Begin Responsibi­lities

- Delmore schwartz

I think it is the year 1909. I feel as if I were in a motion picture theatre, the long arm of light crossing the darkness and spinning, my eyes fixed on the screen. This is a silent picture as if an old Biograph one, in which the actors are dressed in ridiculous­ly old-fashioned clothes, and one flash succeeds another with sudden jumps. The actors too seem to jump about and walk too fast. The shots themselves are full of dots and rays, as if it were raining when the picture was photograph­ed. The light is bad. It is Sunday afternoon, June 12th, 1909, and my father is walking down the quiet streets of Brooklyn on his way to visit my mother. His clothes are newly pressed and his tie is too tight in his high collar. He jingles the coins in his pockets, thinking of the witty things he will say. I feel as if I had by now relaxed entirely in the soft darkness of the theatre; the organist peals out the obvious and approximat­e emotions on which the audience rocks unknowingl­y. I am anonymous, and I have forgotten myself. It is always so when one goes to the movies, it is, as they say, a drug. My father walks from street to street of trees, lawns and houses, once in a while coming to an avenue on which a street-car skates and gnaws, slowly progressin­g. The conductor, who has a handle-bar mustache helps a young lady wearing a hat like a bowl with feathers on to the car. She lifts her long skirts slightly as she mounts the steps. He leisurely makes change and rings his bell. It is obviously Sunday, for everyone is wearing Sunday clothes, and the street-car’s noises emphasize the quiet of the holiday. Is not Brooklyn the City of Churches? The shops are closed and their shades drawn, but for an occasional stationery store or drug-store with great green balls in the window. My father has chosen to take this long walk because he likes to walk and think. He thinks about himself in the future and so arrives at the place he is to visit in a state of mild exaltation. He pays no attention to the houses he is passing, in which the Sunday dinner is being eaten, nor to the many trees which patrol each street, now coming to their

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