The Kansas City Star (Sunday)

KC artist helps Black women learn to love natural curls, coils

- BY J.M. BANKS jbanks@kcstar.com This interview is part of the second season of Voices of Kansas City, a project created in collaborat­ion with KKFI Community Radio to highlight the experience­s of Kansas Citians making an impact on the community. All the e

Editor’s Note:

Coming from a multicultu­ral home, Christa Rice learned early on that her hair was different and set her apart. Seeing her thick curly hair as something undesirabl­e and taboo she, like many

Black woman, tried to tame it and fit into the old American beauty mold of straight and manageable.

It was not until years later that Rice took a journey of acceptance with her natural hair and she found an entire community of women of color going through the same struggles. Rice did her part to build a community here around natural hair when she started KC Curly, a photo shoot that brings hundreds of women together in a celebratio­n of their natural coiling, curly and wavy hair.

Rice uses her platform as a hair activist to raise awareness toward issues of Black hair and uses Black hair as a muse for her art work, depicting texturized pieces that feature Black hair and is on display at the new Zhou B Art Center in the Historic 18th and Vine District.

The Star invited Rice, known on social media as Crissi Curly, to join us in the studios of KKFI radio where she recently spoke to J.M. Banks, The Star’s culture and identity reporter. That interview, with minor editing for space and clarity, is published here in a question and answer format to share Foster’s authentic voice.

MEET CHRISTA RICE

The Star: Why don’t you begin by telling us a little bit about your background and upbringing here in Kansas City.

Well, I’m a Kansas City native. Born and raised Kansas City. I am a social worker, I am an artist, also just a entreprene­ur. This is who I am in a nutshell.

So how did you end up getting into hair and art activism?

So when I was younger, I knew that there was challenges when it comes to our hair. But I’ve always been passionate about just hair in general and just what it looks like, how it makes you feel when you get your hair done. And so, I think, for me it all started just kind of at a young age being very interested in just hair and as a artists.

My family, they’re all artists, so just growing up just being very creative, art, hair, my mom played the piano, everybody was pretty creative.

At what age did you start to realize that your hair was kind of different from everybody else’s?

Pretty young. Also, we would go through little things like people saying your hair is so thick. But it wasn’t a positive thing. There’s this story, and maybe I was like six or seven, but my grandmothe­r she brought us to this beauty salon for the first time ever. It’s the first time I ever went into a beauty salon and we got our hair done.

I did notice that they were doing our hair a little bit different, but it was beautiful when it was done. But when we got home, my mom was really upset because they didn’t comb our hair all the way through. So basically our hair was like very matted.

So you grew up with this negative connotatio­n around having thicker hair. And how was that, growing up with that kind of misconcept­ion about your natural hair?

I didn’t know anybody else struggled with anything at all. You know, you’re just a kid. But when I wanted to get a perm at the time, and in every household it’s what age can you get the perm? So my sister got one in her freshman year. So it was freshman year, that’s when I could get mine.

And so I just had this very negative conversati­on about myself. It was mainly like my self love for myself, and so that’s when I say it’s about hair, but then it’s also about that self esteem as a child. Like we shouldn’t have to be worrying about our hair or anything like that.

And so I just couldn’t wait to get a relaxer so I can be pretty.

So when did you begin to start to embrace your natural hair and go through your journey?

I started the thought process with, I think I need to stop putting relaxer in my hair. I don’t think I was taking care of it the way I need to. My hair was breaking off tremendous­ly. I was like, man, when I was little, I had so much hair. I think it’s time for me to make a change and that was back in 2010 or 2009. So, I stopped getting relaxers.

So I was starting to get sew ins and put weave in my hair to cover up the transition. So I cut my hair off, I want to say 2011. Then it was all of a sudden the comments, “what are you doing?” Or “Why are you doing that to your hair?” I’m like, this relaxer is not working with my hair anymore, so I just need a fresh start, basically.

And there is a point in time in my life where I feel like, you know what, God made my hair like this for a reason. It’s time for me to embrace it.

So I think your mind has to change before you know the action of actually doing it. Because, I mean, me cutting my hair and just transition­ing and not getting the relaxer anymore. There was a part of me that thought, I am not beautiful or I’m not appealing to anyone. I’m not pretty.

So it just got to a point where I was like, You know, I have to do this for myself. It was like it was a great decision that I made for myself because that’s where my self esteem started to build. And then I started talking to other people about it. They were like I said, it becomes a problem when we are not able to be ourselves in public. So it’s much deeper than just like me wearing a wig, or weave, or some braids, or anything like that.

And then when I started wearing my Afro, that’s when the real self confidence had to kick in for me. So that’s when I started saying, okay, I’m out now. So it definitely was a self-confidence thing that I had to build. Like, years of me training my mind of how society has told us that we’re not beautiful because of these standards.

How did you feel about the responses that you got from the people around you?

I think the people around me, they’re pretty honest. I’m pretty honest too.

It was like me training my mind to feel comfortabl­e with who I am. That was back in 2010 when it wasn’t as popular. We’ve come a long way since then. But we still have so far to go.

Were you surprised at all to see you had a lot of camaraderi­e and other women going through the same thing?

I was very surprised. I knew people were going through that but not to the extent of the self-esteem part.

I think I had to step back to look and say, it’s not about hair per se. It’s about us loving ourselves in the way society has put it, especially with Black women, that we are not the muse. We’re just the bottom of the totem pole and we’re not the standard of beauty. So I think it was more of a self confidence thing more than anything.

How did you even get the idea to put this together. Why don’t you break it down a bit for people who are not familiar with KC Curly.

Okay. So KC Curly is a huge photo shoot that we put on every single year. So we have head shots but its just pictures that captured the beauty of just women in their natural light. Just embracing each other. It honestly is like a lift-up-fest. We are lifting each other up.

We are just saying how beautiful each other are. The kids come. We have a rip the runway, like, modeling runway, and it’s just confidence building. We have such a good time and then you leave with profession­al pictures.

What’s your favorite part of the event here?

It’s the the kids. They are my favorite. They just light up. If I had that as a kid I would be walking every runway. And so seeing the kids come in and the moms saying, “they didn’t want to come at first with their hair out like this” and then leaving with them saying, “I want to wear my hair like this.”

Every day I see other women, hundreds of women that look just like me. Like part of me wants to cry every single time I get like an email or a DM about their kid’s confidence and how much this event helps their confidence every year.

How does it feel to be able to become this resource for women in that state?

It feels amazing. Like just for women, for moms to feel confident and their child to feel confident also. So in between the KC Curly event I have probably a couple of mentorship­s that I do as far as helping moms with their daughters. And then, also, I’m connected with some foster moms that bring in their kids and they don’t know exactly what to do with their hair.

So I just teach them how to manage their hair, simple hairstyles and then also teaching the kid to do those things to help them a little to feel more confident.

I just absolutely love it and who would have thought hair would bring all these women together.

So yeah, you guys have been doing it eight years now?

Yes it will be eight years this year.

How does it feel to be able to create your own sort of community built around Black hair?

It feels amazing. Like I say, it’s deeper than hair but it is so amazing that hair has brought us together. So, I have pictures when kids were a baby and now they’re in kindergart­en.

It’s so cool to see the time lapse of the kids and just people in general and how their hair is different each year. It’s a very cool, uplifting community.

I think that the women, the children, the men that come and the spectators are amazed by everything that happens in this short time. Everything is free, so people sponsor it.

What’s been the most difficult part, getting all that off the ground from the first year to now?

I do it by myself so that’s the hard part.

The photograph­ers, they put in a lot of work. Other than that, it gives me so much joy. Honestly, I wouldn’t have it any other way.

When did you start intertwini­ng hair in art together?

So I will say in 2014 I had this vision about this lady with hidden messages in her hair and I was like this is cool. So, I asked my mom to draw it because my mom is an artist. My whole family are artists and she was like, “Why don’t you try to draw it?”

I was like, well okay, I can try to do it. So I tried to draw it and I showed her. She was like, “oh my gosh, that’s actually good. Keep going.” So, then I painted a picture of something and Mom’s like, “Hey, come to one of my art shows and you want to display it?” I was like,

Sure and so I sold it.

I said, you can’t tell me anything. I love this, I love the feeling of this and so I started to use like water bottles and vinyl to bring out the texture in the hair.

I started to use yarn, plaster. I was like, let me just play around with this and see what it is.

Because when I go to these museums, I don’t see any Black women at all. I don’t see us being a muse or anything. So for me it was like, let me create this vibe and let me bring out the texture in our hair because our hair is full of texture. So that’s where it all started.

How does it feel to be able to open the door for other female artists who may not get the chance to show in the historic Crossroads art District?

It feels great to open that door because that door wasn’t open for me.

I absolutely loved it. Then I asked my mom, “Hey, come on, show some art with me.” And then she ended up coming in. Then I asked my sisters. Then they came in. It became a family thing first and then I started bringing other women along.

Are there any misconcept­ions that you think people might have about the Black hair struggle?

So many. I think that our whole entity of being a Black woman just in general, there’s just so many connotatio­ns. There’s so many negative comments. There’s just so much negativity. When I’m around, I’m spreading the positivity around hair and just how beautiful it is.

Because people struggle and so teaching people how to manage your hair, looking at it and using different materials to show like, wow, this is really beautiful. And people look at it differentl­y.

People of different races come and they see my art in there and they’re just looking at it for a while, just trying to figure out what, material is this?

Honestly, I’m like, hey, if you’re looking at it more than like two seconds, I got your attention, you know? So yeah.

How does it feel to be the kind of pioneer of the Black hair photo shoot here in Kansas City?

I absolutely love it because honestly, it’s just embracing more people to be themselves. I mean, at the end of the day, it is making everyone feel confident and beautiful with who they are.

What’s next for Crissi, Curly, KC Curly and the Crossroads art shows?

We’re going to keep adding different elements to KC Curly and adding different sponsors. .

As far as the Crossroads, we are working with them this year to see exactly what we’re going to do next as far as location and everything like that.

Excellent. And why don’t you tell the people how they can get involved and stay up to date? What’s going on with KC Curly?

You can go to kccurly.com. You can also go to our Instagram page, KC Curly, and then also our Facebook page, KC Curly Everything is KC Curly. We’ll have some updates coming up this year and so you can follow all that on their.

 ?? KYLIE GRAHAM Special to The Star ?? Christa Rice poses for a portrait inside her studio at the Zhou B Art Center surrounded by her art depicting Black women with natural hair.
KYLIE GRAHAM Special to The Star Christa Rice poses for a portrait inside her studio at the Zhou B Art Center surrounded by her art depicting Black women with natural hair.

Newspapers in English

Newspapers from United States