The Mercury News Weekend

Current attraction­s

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“20th Century Women”: Both the characters and the actresses (Annette Bening, Greta Gerwig and Elle Fanning) are fine company in this carefully scripted coming-of-age story. Single mom Dorothea enlists Abbie and Julie as unofficial life coaches and social mentors for her son, Jamie (Lucas Jade Zumann). Michael Phillips, Chicago Tribune) R,1:58

“A Dog’s Purpose”: Dennis Quaid stars in the story about a gentle, thougtful dog who, through being reincarnat­ed through decades, explores the meaning of his own life. Though sweet at times, it’s also emotionall­y manipulati­ve and overly syrupy. ½ (Tony Hicks, Staff), PG, 2:00

“Fences”: Troy Maxson used to be a star of the Negro Baseball Leagues. Now he’s a lowly garbage man whose fondest wish is one day getting to drive the truck. Directed by and starring Denzel Washington, this haunting if flawed film is based on August Wilson’s 10-part play cycle depicting 20th-century African-American life. (Karen D’Souza, Staff) PG-13, 1:18 “The Founder”: We first meet Kroc in 1954, wearily hawking milkshake machines. But when he hears about a restaurant in San Bernardino that has become an overnight sensation, he makes a long drive west to meet Richard and Maurice McDonald.

½ (Justin Chang, Los Angeles Times) PG-13, 1:55

“Hidden Figures”: Taraji P. Henson, Octavia Spencer and Janelle Monae play gifted reallife mathematic­ians who are not only dealing with how to help the United States battle the Soviet Union in the space race, but how to exist as black women in a mostly white male environmen­t at NASA in 1961.

½ (Tony Hicks, Staff) PG, 2:07 “I Am Not Your Negro”: As directed by Raoul Peck, this mesmerizin­g cinematic experience uses not just words but sound, music and visuals to create a film essay that’s powerfully relevant today, even though its subject (writer James Baldwin) died almost 30 years ago. From it’s opening, Peck makes important connection­s between the past and the present. Kenneth Turan, Los Angeles Times) PG-13, 1:33 “Jackie”: Natalie Portman plays Jacqueline Kennedy in what would have been a smart and well-crafted meditation on political mythmaking. In filmmaker Palo Larraín and Portman’s hands, it becomes something deeper and more potent. Ann Hornaday, Washington Post) R, 1:40 “John Wick: Chapter 2”: Keanu Reeves returns as the title character, brewing up more Wickian magic while speaking mostly in monosyllab­les. Like its predecesso­r, “Chapter 2” is a ballet of violence, and the visuals are surreal. Reeves portrays the autopilot assassin with a haunted despondenc­y. Katie Walsh, Tribune News Service) R 2:02 “Julieta”: We meet Julieta (Emma Suárez), a chic classics professor in Madrid, as she meets a friend of her daughter Antía, fromwhom she has been estranged for years. She moves back to her old home as a way of understand­ing how they grew apart and embarks on amission to knit their lives back together. Ann Hornaday Washington Post) R, 1:38 “La La Land”: Damien Chazelle’smovie musical is a valentine to the breezy glamour of classic Hollywood. Starring Ryan Gosling as Sebastian, a sullen jazz pianist reduced to playing 1980s remixes, and Emma Stone as Mia, a wannabe actress barista, this whimsical picture mixes the cynicism of the now with the allure of the past.

Karen D’Souza, Staff) PG-13, 2:08 “The LEGO Batman

Movie”: Here is a hilarious, farcical and loving look at Batman, with spectacula­r visual effects and a story that never slows down and is just plain fun. Will Arnett is perfect, playing an overthe-top version of the Caped Crusader. ½ (Tony Hicks, Staff) PG, 1:30.

“Lion”: This real-life tale, based on a memoir by Saroo Brierley, would warm the heart of a stone. Brierley, a native of India, got profoundly lost at the age of 5. He was adopted by an Australian couple but was able, more than 25 years later, to find and reunite with his birth mother via the use of Google Earth software. ½ (Kenneth Turan, Los Angeles Times) PG-13, 1:58 “Manchester by the Sea”: When Casey Affleck’s character is summoned back to his home town, he accepts it with wounded stoicism. The source of his pain forms the suspensefu­l fulcrum of this tough, tender film. (Ann Hornaday, Washington Post) R, 2:17

“Moonlight”: This extraordin­ary film has been contending with the misleading label of “gay black coming-of-age movie.” But what makes it so distinctiv­e is its restraint and an uncompromi­sed way of imagining one outsider’s world. Michael Phillips, Chicago Tribune) R, 1:50 “Paterson”: Adam Driver plays a bus driver named Paterson, who lives in Paterson, New Jersey. In his free time, he writes poetry. The movie unfolds over seven days— each one much like the day before. Imagine “Groundhog Day,” but with Bill Murray’s prickly frustratio­n replaced by Driver’s soulful reserve. Justin Chang, Los Angeles Times) R, 1:50 “Rogue One: A Star Wars Story”: Disney’s first standalone “Star Wars” film goes back to chronicle the rebels who stole the plans to the Death Star just before episode four. It’s a fabulous mixture of new, optimistic characters and great special effects. ½ (Tony Hicks, Staff) PG-13, 2:13.

“The Salesman”: Exquisite mysteries are solved in Iranian director Asghar Farhadi’s latest film. Emad and Rana (Shahab Hosseini and Taraneh Alidootsi) are a sophistica­ted acting couple who are staging a production of “Death of a Salesman.” After Rana is assaulted, their contempora­ry Persian marriage falls prey to all the ills the Islamic theocracy can inspire. ½ (Bob Strauss, Daily News, Los Angeles) PG-13, 2:05 “Silence”: Near the start of Martin Scorsese’s shattering film, two Jesuit missionari­es shiver in a cottage far from their Portuguese homeland. The year is 1639, and Japan is in an era of intense hostility toward Christiani­ty, whose adherents have been subjected to mass execution. This adaptation of Shusaku Endo’s 1966 novel offers a complex vision of a feudal Japan. ½ (Justin Chang, Los Angeles Times) R, 2:41

“Sing”: The team behind the Minions branches out into the world of all talking, dancing, singing creatures great and small, mashing that up with the wildly popular phenomenon of singing competitio­n reality shows.

Katie Walsh, Tribune News Service) PG, 1:48 “The Space Between Us”: Gardner (Asa Butterfiel­d), a bright, inquisitiv­e teenager, was born in an antiseptic outpost on Mars. There he has an online friendship with Tulsa (Britt Robertson), an Earth girl. When his mother dies, he heads to Earth and sets out to find Tulsa. From here the plot begins to fall apart. ½ (Cary Darling, FortWorth StarTelegr­am) PG-13, 2:01

“Split”: In this powerful psycho-thriller, Kevin (James McAvoy) meets his match in Casey (Anya Taylor-Joy), a teen who happens to be with his two chosen victims when they’re kidnapped. But Casey manages to stay calm while drawing upon lessons learned during family hunting trips.

Katie Walsh, Tribune News Service) PG-13, 1:57

“Toni Erdmann”: Ines Conradi (Sandra Hüller) is a talented corporate consultant. The title character Toni (Peter Simonische­k) is a hulking clown of a man who worms his way into Ines’ life and tries to get her to shrug off her anxieties and join him in the wild, crazy performanc­e art known as life. ½ (Justin Chang, Los Angeles Times) R, 2.42

 ?? LIONSGATE ?? Keanu Reeves returns as the haunted assassin of the title in “John Wick: Chapter 2.”
LIONSGATE Keanu Reeves returns as the haunted assassin of the title in “John Wick: Chapter 2.”

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